by Douglas Messerli
Layne Pavoggi and John Duff (directors), John Duff
(performer) Girly / 2018 [4.25 minutes] [music video]
Maybe
that also explains why Duff himself wants to get “girly”:
Only get girly on the weekends,
So I’m out til late up til early -
Oh, Just feeling myself
Uh-oh, I feel worldly
A little birdy told me
You get flirty, show me
What you do when you're alone.
Dance like no ones home
And we say
Hey hater
Why don't you go and hate on it
I already know you're gonna
(Know you're gonna)
Hate on it
Say what you wanna say say
I'm on it
It run it
And I keep doing what I want
I wanna get girly
Let's get girly
Flip out hair
We don't care
Let's get girly
Let's get girly
Flip our hair
We don’t care
If the song itself is hardly memorable, the
dances, choreographed by Dexter Mayfield and Duff are effective, while it’s
Duff’s good looks and charm that carries the video into the territory of being
worth the watch.
As HuffPost quotes him: “I was told so
many times that being myself wasn’t going to work [and that] I should play into
a more masculine, generic vibe. I’m not going to be intimidated into lying
about who I am. I’m gay as hell and I love it.”
As Wong
reminds us, not everyone felt that “Girly” totally succeeded in challenging
gender norms. Matthew Rodriguez, writing in Grindr’s digital magazine INTO argued that the song ephemerally
embraced femininity while putting on display a conventionally attractive male.
And Michael Strangeways, writing the Seattle Gay Scene felt that the video’s
message felt “odd,” coming as it did from a “Cute yet quite masculine,
gym-toned gay hottie.”
But
Duff has become rather fearless, stating, “I don’t take myself that
seriously. I’m not afraid to look stupid or ugly ― I kind of like it. Fluidity
is ideal [and] rigid things break easily. I’m not going to dumb myself down to
help someone else feel comfortable.”
And he
needn’t have worried since the video was a hit and launched Duff’s career.
Los Angeles, January 20, 2025
Reprinted from My Queer Cinema blog (January 2025).
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