fred astaire, the ceiling dance
by Douglas Messerli
Alan Jay Lerner (story and screenplay), Stanley Donen
(director) Royal Wedding / 1951
In reality what we are seeing is a room enclosed in a framed wheel that
is gradually turned, with the dancer timing his leaps within the slow movement
of the rectangular room. The furniture and other trappings are clearly attached
into position and, accordingly, are unable to move, allowing Astaire to pretend
to balance his head on the back of a chair, climb the desk up the wall, etc.
Some claim the idea was Lerner's, others insist it was Astaire's. But
the fact is that it could not have been achieved without Donen's near flawless
direction and Astaire's perfect timing, appearing to leap as brilliantly as
Spider Man might today. But Spider Man, after all, has his webs to help him,
ropes and pulleys. Astaire had only a machine which created a delusion within
which he tapped, twirled, jumped, and turned upon his legs.
Los Angeles, September 7, 2011
Reprinted from World Cinema
Review (September 2011).