Monday, July 28, 2025

unknown filmmaker | #ItStartsWithYourName / 2023 [commercial advertisement]

the name on a cup

by Douglas Messerli

 

unknown filmmaker #ItStartsWithYourName / 2023 [2 minutes]

 

In 2020 I wrote about a new ad campaign in the United Kingdom for Starbucks featuring a transgender individual. Three years later, the Seattle-born company, now a ubiquitous site in most urban areas throughout the world, has done something similar in India, where such shifts in gender are much more controversial.

      A father and mother sit waiting in a Starbucks for their child to show up. From the father’s cellphone we gather the young offspring is a man named Arpit. The phone goes unanswered as the mother leans over to her husband, begging him to not “to get angry this time please.”


      As she finishes her statement, a young woman in a dress (transgender actor Siya) arrives, gently hugging both her mother and father. A slight frown passes the father’s face as he rises to order their coffees.

      There is tension in the air as the family sits quietly waiting for their order; but soon after the barista calls out “three cold coffees for Arpita,” testifying that despite his druthers, the father has ordered the coffee under his daughter’s name, verbally commenting, “For me, you are still my kid. Only a letter has been added to your name.”


     In India the commercial advertisement has gathered over 5.1 million views, and there has been high praise by the liberal communities. But there has also been a great deal of anger expressed among more conservative elements of the country, many calling for a ban of Starbucks shops and others claiming that such a “woke” ad is inappropriate for Hindu culture, the language in which the ad appears.

     The Indian representative of this #ItStartswithYourName ad, argues that “it shows how Tata Starbucks is committed to making people of all backgrounds and identities feel welcome. ... We will continue to use our voice to advocate for greater understanding on the importance of inclusion and diversity across the communities we serve around the world.”

     Now, if only Starbucks USA might create such a campaign. Little as that name on a cup means—particularly in a chain, as some complain, in which the baristas seldom get the customer’s name right—it would have a remarkable impact in Trump’s denigrated “Amerca.” Surely, the President might even threaten to sue the company. But the bravery of such an ad would speak louder than any such threats.

 

Los Angeles, July 28, 2025

Reprinted from My Queer Cinema (July 2025).

Trent Atkinson | Slow Down / 2016 [music video]

no rush

by Douglas Messerli

 

MYLEN and Brandon Stansell (songwriters), Trent Atkinson (director) Slow Down / 2016 [4 minutes] [music video]

 

Despite the title of this song, country and western singer Brandon Stansell hardly ever seems to “slow down” in his output of gay narratives representing the sad and joyful incidents of his multiple relationships.

    In Slow Down he meets up while hitchhiking in the desert near Joshua Tree National Park with Rich Hill whose truck quickly overheats, a metaphor obviously for what’s clearly happening in the inside cab to these two handsome boys.



    The two are forced to find a small trailer park; and it’s all going far to quickly for singer Brandon Stansell, backed up by another gay country/western singer, Ty Herndon. His repeated chorus says it all:

 

Hearts beating at the speed of light

With your head laying on my chest

I get caught up in those hazel eyes

'Cause you're the kind of moments I love best

(Oh, woah, oooh)

I wasn't looking for the next best thing, no (oh, woah, oooh)

I was looking right in front of me

 

I'm thinking we could slow down

Take all the time you need on me

Baby, slow down

'Cause you and I together, We don't have to be

In a rush to fall in love

So let's hold on to every touch

And just slow down

Yeah baby, slow down

Yeah!

(Oh, woah, oooh, slow down)

Maybe we, maybe we (slow down)

Maybe we could slow down

 

    And slow down he does indeed as Trent Atkinson’s camera pours over Stansell’s and Hill’s bodies, including a soapy shower, as they wait out the day, and like any red-blooded Amercan boys take out a rifle for a little shooting practice.


    Having found the water they need, after a long afternoon nap or perhaps even a stay through the night, they return to the cooled-down pink pickup and get back on the road to get to whatever destination they had in mind. Yet it’s clear, in his rather campy gesture, that Stansell would prefer hanging out a bit longer in the middle of the desert.

 

Los Angeles, July 28, 2025

Reprinted from My Queer Cinema blog (July 2025).

 

My Queer Cinema Index [with former World Cinema Review titles]

https://myqueercinema.blogspot.com/2023/12/former-index-to-world-cinema-review.html Films discussed (listed alphabetically by director) [For...