Tuesday, February 3, 2026

Frank Budgen | The Appointment / 1996 [commercial advertisement]

for women only

Douglas Messerli

 

Frank Budgen (director) The Appointment / 1996 [commercial advertisement]

 

In a short commercial advertisement of about a minute in length, filmed in deep shades of yellow, red, and black, director Frank Budgen featured a stunningly coifed woman pull off her robe, sit down to her dressing table, a put on a sex black negligee, all altering in time with her slinking across an elegant bistro, turning men’s heads as she proceeds as if the shapely black dress in which she is now attired revealed her undergarments.


 


   The music’s heavy throb makes her out to be almost a panther, the men all turning toward her in an attempt to discover the man to whom she “belongs.” The constant cuts between her dressing for the occasion and her final appearance, of course, do make her seem like she were still undressed, appearing in public in the Boisvert lingerie for which she is the model.

      The joy and irony of this all male looky-loo, however, is the fact that at the very back of the restaurant sits, back turned to us, another beautiful woman upon whose shoulder the first woman briefly rests her hand before she joins the sitting female as they kiss, lip to lip, a script appearing over the image asking “Do Men Deserve It?”



    As if their deep kisses and a stroking hand across the cheek doesn’t prove it, the ad immediately tells us “No.”

    The ad ends in the address: Boisvert, 51 Neal Street, Convent Garden, as if it were a place to check out for just such a delicious treat, whether it be the woman or the lingerie, it doesn’t say.

 

Los Angeles, February 3, 2026 | Reprinted from My Queer Cinema blog (February 2026).

Orr Sigoli | להמשיך לנשום (Keep Breathing) / 2012

the event

by Douglas Messerli

 

Orr Sigoli (screenwriter and director) להמשיך לנשום (Keep Breathing) / 2012 [5 minutes]

 

A handsome young Jerusalemite, Hillel (Yiftach Mizrachi), wandering the streets one night, encounters his male lover Itamar (Gall Persinger) kissing a beautiful woman (Tomar Hannah Shtaierman). Terribly troubled by what he observes, he seeks out his friend who works as a tour guide with the local YMCA (Tal Kallai), unable emotionally to actually even reveal what he has observed.


    Hillel later sees the girl trying to lug a carpet into her apartment, a building evidently owned by Itamar. Helping her bring the carpet into her living space, he spots a flyer that announces a concert of her singing. Soon after, before he can even leave her apartment, Itamar shows up, both men playing as strangers, Hillel pretending to have been looking for an apartment to rent.


     Hillel attends the woman’s concert, titled “Keep Breathing,” where he is finally confronted by Itamar. The two of them go to the street, Hillel finally demanding an explanation, with Itamar simply responding that he doesn’t love him anymore, he loves the singer instead.

    Hillel wonders just how long Itamar imagines he can get away with lying about his sexuality. Or perhaps, Itamar has always been bisexual. Unfortunately, this short film makes utterly to attempt to even explain or reveal the men’s previous relationship or to clarify their true earlier relationship.


      All we can perceive is that a short fight breaks out, with Hillel finally having to abandon his former lover. He returns to his tour guide friend, planting a huge kiss on him, but even though it’s clear that his friend is in love with Hillel, he feels uncomfortable with the kisses since he isn’t Itamar. “Can’t you try to be,” Hillel pleads.

     But now as he heads off, Hillel must clearly come to the sad realization of what has just happened. Even a moment of their past life can’t resolve the future he now must face.

     It might have been a moving drama, emblematic of what often happens in gay relationships if only director Sigoli’s film had attempted to even slightly explore its characters and not just events.

As it stands, despite the beautiful images and people presented in the film’s frames, he might as well have recited the story since there is no full dramatization of how it came to be or what it was before the “event” to which Hillel has been witness.

 

Los Angeles, February 3, 2026

Reprinted from My Queer Cinema blog (February 2026).

 

 

 

 

My Queer Cinema Index [with former World Cinema Review titles]

https://myqueercinema.blogspot.com/2023/12/former-index-to-world-cinema-review.html Films discussed (listed alphabetically by director) [For...