pulling rank
by
Douglas Messerli
Bob
Mizer (director) Space Mutiny / 1950
Both
boys, who in these early scenes quickly appear to sprout erections, look on as
the commander explains the situation, but apparently they don’t at all agree
with his directions, and when in the midst of argument, he strips from their
posing jocks what appear to be small decorative tinsel tassels as if they were
military bars and stripes, they turn on him in full mutiny.
Most of the short consists of the trio in
full wrestling mode as they undergo the typical Mizer twists and turns of
nearly full-naked bodies, filled with sweat, muscular ambition, and erotic
evidence. The mutineers win the match and with their leader now passed out,
they re-correct their apparent course of action, pleased with their ability to
switch the situation.
The lovely last moments of this cute
pre-porno cinema, made in the very same year as the important gay classics, Un
chant d’amour by Jean Genet and Orpheus by Jean Cocteau, the American
boys proudly reveal their names. In those significant treasures of Europe, men surreptitiously
meet up through tiny holes in the wall through which they share the erotic
touch of rolled paper or in the case of the latter film, when they crash
through mirrored realities. In the American version they just immediately get
down to business with a good bodily workout of flesh-on-flesh. As brilliantly
symbolic as Genet’s and Cocteau’s fables are, Mizer’s sweaty body workouts are
far more to the point and say so very much about crass, in-the-mud USA culture—despite
its far more intense fear of sexuality—that it’s hilariously profound as well
as being just plain campy long before that word was even in the LGBTQ+ lexicon.
Although it appears there were only three
boys involved in the mutiny, Ronnie Wallace, Gerald Sullivan, and Dave Haupert,
the naked boys keep appearing, suggesting that either in numerous intercuts or
behind the scenes, Jim Lassiter, Chuck Davis, Rocky Ridge, and Louis La Venture
were also involved, turning it truly into a Mizer epic.
Los
Angeles, June 30, 2024 | Reprinted from My Queer Cinema blog
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