suddenly becoming the one at who everyone wanted to throw a stone
by Douglas Messerli
André Tomonari and Gui Boucault (directors) The
Only Gay in Nigeria / 2018 [4 minutes]
Early in his career Bisi Alimi was an anti-gay prosthelytizer, who
preached hell and damnation to all LGBT individuals. But later Bisi became the
first Nigerian to come out on national TV, coming to represent, as he
humorously proposes, “The only gay in Nigeria,” becoming the de facto
voice of Nigerian gays.
Brazilian director Gui Boucault “stumbled upon the text of Bisi’s story
at the Bisi Alimi Foundation site, and upon reading it we were really impacted,
inspired, and at the same time deeply saddened.”
Contacting him in order the hear his full story and get to know him,
they discovered, that despite the seriousness and sometimes horror of his
stories, that he was nonetheless “a joyful fellow.” Boucault and co-director
André Tomonari recorded his voice in London, animating it with images that
involved him “talking to the camera, smiling, thinking and reacting to his own
words,” using lighter colored images that reflected his own personality rather
that the dark messages behind his words.
Bisi explains that he grew up in a very conservative Christian family,
and by the time he was 17 he went through an exorcism in an attempt to cure his
sexual feelings, which led, he admits, to his first suicide attempt.
In
Lagos, he recalls, life was fun for gay men, going to underground parties on
weekends, but also very dangerous. And from Monday to Friday they each had
pretend that they were like every other boy in Nigerian society, “but the next
weekend we are back at the party!”
In 2003 Bisi began acting in the successful series Roses and Thorns
in which he played the son of a very rich family in which he was in love with
the housemaid. Bisi became famous for the role, recognized by many Nigerians
even on the street. A national news organization, Dawn, however had
investigated his love life and were about to break the story that the beloved
star had a secret.
A
year before that his university magazine had already outed him which had forced
him to deny it, acquire a girlfriend, and cut off relations with several of his
gay friends, and, as he describes it, “trying to escape the many traps that
were set for me.” Finally, he realized that he was going to spending the rest
of his life defending that he was not gay.
He
called the producer of Nigeria’s major talk show and agreed to come on the
show, feeling that if anyone were going to reveal his private life he had to be
himself. The talk show asked numerous important questions: “Can somebody be
born gay?” “Is it a life style?” “Is it not a choice?” and “What is his
mission?”
He was arrested several times, and “It was becoming obvious that being
in Nigeria wouldn’t be a good idea, but I wasn’t ready to leave the country.”
But then his home was broken into, he was tortured and beaten by a group of
men. Rescued he reported the incident to the police only to be arrested for
using his house as a place to train young men to become gay. “And that’s why I
ran away from Nigeria.”
He admits he lost a great many things, including friends. And he became
refugee. As so many refugees for various kinds of hate and bigotry have had to
do for centuries, he had to start all over again. But if he has suffered, he
argues, his situation has helped to create a generation of fearless LGBT people
in Nigeria.
When the President of Nigeria claimed that there were no gays in
Nigeria, Bisi had proven to all that there was at least one.
As
The Advocate reports: “Now Alimi works as an LGBTQ activist, and his
advocacy group, the Bisi Alimi Foundation, focuses on advocating ‘for the
rights and dignity of LGBT people in Nigeria’ and strives toward ‘Taking people
from invisibility to visibility.’
The important short film is another of the crucial documents missing
from Amazon’s Internet Movie Database (IMDb) and is not listed on Letterboxd;
other than a few reviews such as the ones in The Advocate and PinkNews,
very little has been written about the film and the others regarding Bisi
Alimi.
Los Angeles, October 28, 2023
Reprinted from World Cinema Review (October
2023).
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