by Douglas
Messerli
Benjamin Kemper
(screenwriter and director) Pop! / 2017 [21 minutes]
What is a
13-year-old boy like Ty (Harrison Redeker) who questions his own sexuality, is
forced by his alcoholic father (Michael Kemper) each morning to down a jigger
of whiskey to prove he’s a man, and who is daily bullied by the school thug,
Carter (Dustin Johnson), to do?
This short film posits that when his
father gives him a gun for his 14th birthday and the bully has challenged him
to an afterschool fight, the result is as inevitable as film’s title.
Perhaps it seems that for a child whose
best friend, Jay (Mattox Barnette) also appears to be a bit dim-witted, and
whose mother (Tracy McQuillan), forced to work in order to support her family,
is mostly absent. But then the film never explores any other possibilities.
There seem to be no teachers, no counselors,
indeed no other adults in Ty’s life, no one he could possibly turn to. Although
he and Jay play tag in the library stacks, neither of them appears to have actually
read a book. Director Kemper’s villain Carter behaves like a robotized
stereotype of a bully, who himself has no weaknesses.
The
issues Kemper brings up are terribly serious and are perhaps behind many a
school shooting. But that makes it all the more important that a director, even
a neophyte one, more deeply explore the dynamics of school violence.
If Kemper’s denouement seems all too
inevitable, perhaps he owes it to his frightened 13-year-old creation at least
to explore a possible out from the world in which he feels trapped. Some young
boys like Ty simply take cover and endure it; others, like me, create their own
internal worlds and dream away those terrible days. Still others find adult
help. It should never feel inevitable, not even in fiction, to take up a gun
and pull the trigger into the perceived enemy’s face.
Los Angeles, June
29, 2024
Reprinted from My
Queer Cinema (June 2024).
No comments:
Post a Comment