rules, rituals, and resistance
by Douglas
Messerli
Michael Rojas and
Manu Roma (screenplay), Manu Roma (director) Anónimo (Anonymous)
/ 2021 [19 minutes] [documentary]
Spanish director Manu Roma’s short documentary on cruising doesn’t show us any sexual action or, in fact, any terribly serious cruising, the camera simply watching one elderly man walk a notorious Barcelona beach, another young man wander the famed Parc de Montjuïc, and another middle-age fellow enter and exit the men’s rooms near the Arena.
Our
guide to this location finds it perfect for him, a married man who visits the
site with some regularity, because it is safe from police observation since it
is in an out-of-the way location seldom visited by anyone other than the
cruisers themselves. He observes that, in fact, he has seen several policemen, in
and out of uniform, visit the place, evidently seeking the sexual fulfillment
of the other cruisers and knowing that this is a place where their presence
will be noted only by like-minded men.
The younger man who prefers the wooded, winding paths of the Montjuïc prefers it simply because of its rituals. Here one does not directly approach another male, but stands about, often pretending disinterest so as not to attract the attention of possible public visitors. After a while, one gets to know the regular cruisers, some of them disinterested in those with whom they’ve previously had sex, others quite willing for another go. Some nights, in the search of a sexual partner, it takes hours, time going amazing quickly. On other nights, our guide to the park tells us, you’d think that half of the male population of Barcelona had gathered there, and he need only spend a short while before finding someone willing to engage in sex.
By far the most fascinating of our guides
is the handsome middle-aged cruiser who prefers the bathrooms precisely because
of the danger, the possibility that the person next to whom you are standing is
a heterosexual not at all interested in gay sex, or, at other times, perfectly
willing to join in on a masturbatory session. Here the rules of strict, in some
respects. You begin my partially exposing yourself, with just a slight erection.
If the man shows interest, you reveal a little more, masturbate into a more
obvious erection. On one occasion, he notes, there were 6 or 7 men having
This last anonymous cruiser, has a gay
lover, who knows of his actions. The bathroom cruiser argues that his love involves
loyalty, not changing his sexual behavior, which is, he insists, what makes gay
life different and far more of a challenge to the heteronormativity by which
the dominant culture attempts to proscribe behavior. Being gay, he asserts, is
a challenge to the majority who attempt to wipe out all possible access to alternative
sexual acts. He takes it almost as a challenge to seek out the riskiest kind of
sexual behavior, public sex in places where he purposely endangers his own
safety. It is not even the sex, the final ejaculation that he most enjoys, but
the search, the act of cruising itself. The park is too predictable, the isolated
beach too easy. For him, the ability to seek out sex in open public locations
is a personal statement of his determination to maintain complete sexual
freedom, notwithstanding the numerous delimitations that heterosexual society attempts
to enforce.
Although nothing really happens in Roma’s
work, a neophyte certainly gets a basic explanation of the various kinds of gay
cruising spots (sans street, car, or bar cruising). The only major thing
this film fails to explain is the source of such intense sexual desire, the enormous
pull of the cruising spots for those that seek them out day by day, night by
night: in short, the addiction that such activities creates for the individuals
involved. Sex, I would argue is more addictive than any drug—and often more
pleasurable and alluring since it involves another human being, bringing equal
pleasure to that other.
Los Angeles,
September 15, 2024
Reprinted from My
Queer Cinema blog (September 2024).
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