the perfect image of a friend i never want
by Douglas Messerli
Mike Albo (screenplay, based on his novel),
Todd Downing (director) The Underminer / 2005 [6 minutes]
We all know such a being, or least we imagine
we know such an individual, someone who claims to be our best friend but has a
remarkable ability to praise our every action through a subtle, undermining
attack. “You’re so healthy, if you’d only lose weight.” “I admire your ability
to drink so much.” The kind of compliment that slaps you in the face.
In
this dark comic short, Mike Albo plays both the self-infatuated, endlessly
dismissive attacker and the victim of Todd Downing’s film The Underminer,
a title which might work better if he were changed to “Darts into the
Heart”—suggesting a kind of Cupid who has the wonderful ability to put an arrow
into every little prick and pain you’ve ever suffered. But there I am doing
precisely what the central figure Albo does throughout, complimenting someone
or something while stabbing it in the core.
I
mean, it’s not Albo’s fault that he doesn’t give his poor other persona an
opportunity to say a word, interrupting even his attempt to describe the new
puppy he’s acquired. I mean, really what’s a silly pet mean when you’ve got so
much more important news to convey, such as how your friend’s former lover is
so much better off now that he’s found a new lover, lost all that weight, and
lives in a beautiful new condo? Sorry that you haven’t yet found the opportunity
to fix up your dump, although I know just how hard to do a fixer upper in an
apartment building where most people don’t even pay the rent.
Not
that it’s Albo’s fault that he simply not control his glossalaliac (I don’t
even think there’s even such an adjective, although it perfectly fits him) fowl
mouth, and demands people talk to him even while he’s on the phone. He’s one of
those multi-tasking individuals who can hear every word he doesn’t want to
while dishing another person at the very same instant, tongue out and ear
plugged.
But that’s the joy of having just such a friend who makes us feel so
much like shit every time we encounter him that we’ve been forced to block his
calls, lock the doors when we hear him tread upon the stairs, and refuse to
watch another moment of his forbidding acting skills as presented in this short
6-minute silly camp monologue.
I
loved the woman at the end in the cerulean dress and coral beads, but my god
did you see her "Bride of Frankenstein" hair?
Los Angeles, November 6, 2023
Reprinted from World Cinema Review (November
2023).
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