by Douglas
Messerli
Nitchapoom
Chaianun (screenwriter and director) Our First Time / 2023 [33 minutes]
Sud Yod (Klong Chindanai)
is a famed young game streamer who has a million subscribers. We watch a scene
as he interacts verbally with the game on the screen, evidently revealing his
moves to his viewers as he goes through the maneuvers of the game.
But on this particular afternoon, his neck
and back are hurting, the results of such a sedentary life, sitting at his
machine throughout most of the day. He remembers that one of his sponsors in
the renowned The Gentle Massage and Spa on Nimman Road in Chiang Mai, Thailand,
that they have awarded him a free message coupon.
With some slight trepidation the young
gamer enters the large massage parlor, encountering the receptionist Num Un
(Yodsakon Khamnang) who recognizes him and greets him with great deference. Sud
Yod explains his purpose, but as Num Un reports, it’s a holiday so they are
very few massage specialists at work on this day, and those that are working
are busy with customers. He excuses himself to discuss the matter with is
uncle, who owns the business.
The uncle has just gotten off the phone
after trying to call in a free-lancer who is unable to come in as a substitute
due to family business. But the uncle also recognizes the young man’s name, and
is troubled that he cannot provide him with the proper service.
But then he recalls that his nephew had
once himself insisted that he wanted to become a masseur, and realizes he has
no choice but to allow him his first customer.
Meeting with Sud Yod, the owner explains
that he is increasing the value of the pass by providing the young gamer with a
2-hour oil massage after which he can take a half-hour bath. Nam Un, he
explains, will be his masseur.
After a drink of tea for his customer,
Num Un takes his new customer into the room to wash his feet, explaining that
it is his very first time as a masseur, hoping that Sud Yod will simply trust
him. After some thought, Sud Yod, seeing the cute boy’s acute worry, agrees,
and the fun begins.
After finally fully bringing himself back to reality, Sud Yod bathes in a beautiful pool of water, retreating to the lobby again where he sits for a while and talks, tentatively, with his masseur. Both boys are so timid that they can’t really say what’s foremost on their mind, that in some way they have fallen in love or, at least, as the publicity paragraph for this movie explains it, “they have had a good first impression” of each other. Nam Um does ask Sud Yod if he thinks he might become a full-time masseur, which, after some pretense of pauses, the boy assures him that he does. And Nam Un explains the poverty of his family which permitted him only an education through 9th grade. His dream now is to become the best masseur in the parlor and to make enough money to buy his parents a new house, since they now rent.
If his dreams are clearly petty and
bourgeois, they are nonetheless sincere, and possibly even may be brought into
reality if Sud Yod were to support the idea. The gamer finally assures him that
he thinks he will make a great masseur and, yes, he will return for another
session.
Thai director “Nicchi” Chaianun has
created a work of no great profundity that is closer to being one of the
hundreds of boylove movies made these days in Asia. Neither boy has anything
very serious on his mind, and perhaps has nothing very intelligent to truly
express to the another. But their pleasure in one another’s company is so
palpable that it’s nearly contagious. And it would take a sour and judgmental
viewer to find no joy in this otherwise empty picture.
Los Angeles, March
23, 2024
Reprinted from My
Queer Cinema blog (March 2024).
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