orb and line
by
Douglas Messerli
Jean-Sébastien
Chauvin (director) Mars exalté (Exalted Mars) / 2022 [18 minutes]
For the first 6 ½ minutes we hear mostly
the man’s deep pants as he occasionally turns and tosses in his sleep, his body
covered with perspiration. Outside cars a scant number of cars seem to be
leaving the city with their bright lights facing the camera, while near standstill
traffic with their tail lights lit up red (like the Red Planet Mars) appear to
be making their way back into the city for a day of confrontational world of the
workplace.
At about 6 ½ minutes the audio shifts to
the outside world where we hear the endless roar of the traffic, the sounds of
morning birds, and the general din of a city coming to life. For a moment we
catch a view of neighbors in the high-rise where we presumably also lies
sleeping, having breakfast and communicating on cellphones.
Briefly our sleeping hunk seems to
awaken, touching his cock.
We see workers beginning to walk the
streets. A streetlight that has evidently been off for the entire night
suddenly comes to life as the sleeper breathes out heavily. A few moments later
(a nearly the 12-minute frame) he has a sudden nocturnal ejaculation, the end
presumably of an arousing wet dream. We hear his deep sighs of sexual
satisfaction as we watch the cum flow from
We can only begin to wonder, if this
dreamer has the power in his sleep to awaken and bring the city itself back to
life? Might he himself be Mars, calling his warriors back into the battle of
their daily survival?
Los
Angeles, June 2, 2024
Reprinted
from My Queer Cinema blog (June 2024).
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