world of lies
by Douglas Messerli
Samson Raphaelson (screenplay, from
a play by Aladar Laszlo), Grover Jones (adaptation), Ernst Lubitsch (director) Trouble in Paradise / 1932
Soon after we are introduced to a dapperly dressed, well-spoken man,
whom the waiter addresses as Baron, but who, in reality, is Gaston Monescu
(Herbert Marshall), a pickpocket and thief who has just relieved François
Filiba (the perpetually, slightly-befuddled Edward Everett Horton) of 20,000
lira, and is best known as the man who "walked into the Bank of
Constantinople, and walked out with the Bank of Constantinople." He is
awaiting Lily (Miriam Hopkins) and is pondering how to court her:
If Casanova suddenly turned
out to be Romeo having supper with
Juliet, who might become
Cleopatra, how would you start?
The waiter replies: "I would
begin with cocktails." The camera pans down to the canal, where a woman,
looking very much like a royal Cleopatra, is drifting toward Gaston's hotel.
The beautifully dressed Lily presents herself immediately as one of the
Venice aristocracy, spending the first few moments of her arrival worrying over
whether or not she has been seen entering the hotel, and, upon turning the
conversation to her host, immediately attempts to put him in his place:
Lily: You know, when I first
saw you, I thought you were an American.
Gaston: Thank you.
Lily: Someone from another
world—so entirely different. Oh! One gets
so tired of one's
own class—princes and counts and dukes and
kings!
Gaston: Disappointed?
Lily: (with a beckoning look
up at him) No, proud. Very proud. (He descends
for a kiss.)
News of the robbery in the royal suite has already spread, and as the
couple begins their dinner, chatting easily with one another, they discuss the
event:
Gaston: That's hotel life.
In one room a man loses his wallet, and in
another, a man
loses his head.
Lily: Please! When I came
here, it was for a little adventure, a little
game which you play
tonight and forget tomorrow. Something's
changed me; and it
isn't the champagne. Oh, the whole thing's
new to me. I have a
confession to make to you, Baron, you are a
crook. You robbed
the gentleman in 253, 5, 7, and 9. May I have
the salt.
Gaston: (as he passes the
salt) Please.
Lily: Thank you.
Gaston: The pepper too?
Lily: No thank you.
Gaston: You're very welcome,
Countess, believe me, before you left this
room I would
have told you everything. And let me say this with
love in my
heart. Countess, you are a thief. The wallet of the
gentleman in
253, 5, 7, and 9 is in your possession. I knew it
very well
when you took it out of my pocket. In fact, you tickled
A moment later he stands, pulls the
curtains closed, and goes to Lily as if to hug her, but shakes her, instead,
like a rag doll, the wallet falling to the floor. As the couple sit down again,
it is apparent that whole discussion has been a kind foreplay to sex, and in
the next few moments, they fall further in love as each attempts to outdo the
other, Gaston pulling her brooch from his pocket, she returning his
"reset" pocket watch, he kissing her stolen garter.
It is love at first sight. As Gaston summarizes it: "I love you. I
loved you the moment I saw you. I'm mad about you. My little shoplifter. My
sweet little pickpocket. My darling." The two talented deceivers have
fallen in love. Soon after, a hand reaches around the hotel room door to put
out a "Do Not Disturb" sign. So the director announces that they are
consummating that love.
Time passes, and the couple are now in Paris, a bit low in their
finances. At the opera they steal a diamond-covered purse from the wealthy
Madame Mariette Colet (Kay Francis), heiress of the Colet Perfume Company. In
its advertisements the company itself announces Lubistch's theme of deception:
"Remember, it doesn't matter what you say, it doesn't matter how you look,
it's how you smell." Apparently even the garbage man might hide his
identity if he smells right!
Gaston enters with the "real" object, saving her from further
abuse. However, even he is critical of her makeup, the shade of her lipstick,
the color of her powder. And he too—when she cannot even find her checkbook to
pay him, and she admits that she keeps only a small amount of money in her
safe—criticizes her handling of money. Just as in the conversations in the
first scene between Gaston and Lily, he and Madame Colet speak on one level and
act on another, she falling in love with him while he scolds:
Gaston: Madame Colet, if I
were your father, which fortunately I am not,
and you made
any attempt to handle your own business affairs, I
would give
you a good spanking—in a business way, of course.
Madame Colet: What would
you do if you were my secretary?
Gaston: The same thing.
Madame Colet: You're
hired.
So begins the "trouble" in paradise, as the couple, Gaston as
secretary and Lily as his assistant, move into the Colet mansion, with the
intent, it is clear, of robbing her blind. To discover her true worth, Gaston
orders an inventory, and demands a weekly sum of money to be placed in her home
safe. The family trustees are outraged, but she supports Gaston, having truly
fallen in love. She even offers Lily 50 francs to help steer Gaston to her,
which Lily reports back to her lover:
Gaston: Well, what did she
want?
Lily: You. And she's willing
to pay as high as 50 francs.
The two decide to speed up their
robbery, stealing the money that very night while Madame Colet attends a
dinner.
But as she calls for a cab, Madame Colet turns back, hoping that she
might lure Gaston into her room or she, enter his. Much of the evening, in
fact, is spent calling for and sending the taxi off. Just as Gaston confessed
to Lily, Madame Colet, turning the confession inside out, tells Gaston;
Madame Colet: I have a
confession to make to you. You like me.
In
fact you're crazy about me.
Indeed, he is, and Lily, aware of
his infatuation returns, robbing the safe of 100,000, before returning it to
Madame Colet as a kind of ransom for Gaston. Gaston saves the day by revealing
that what they had attempted to steal had been a pittance compared to the
millions that have already been stolen from her by the company trustees.
Lily leaves, angered and hurt by Gaston's faithlessness, planning to go
it alone.
He, in turn, also makes a confession to Madame Colet: "I came here
to rob you, but unfortunately I fell in love with you." But, in fact, it
is Lily whom he truly loves, and he soon follows her, reporting to the heiress:
Gaston: It could have been
marvelous.
Madame Colet: Divine.
Gaston: Wonderful... But
tomorrow morning, if you should wake out
your dreams and
hear a knock, and the door opens, and there,
instead of a
maid with a breakfast tray, stands a policeman
with a warrant,
then you'll be glad you are alone.
The last scene shows Lily and Gaston in a taxi, skipping town. As he
reaches into his pockets to present Lily with the pearls, he discovers they are
missing, as Lily holds them up, dropping them into Madame Colet's stolen purse.
Gaston takes 100,000 franc banknotes, formerly in Lily's possession, and drops
them into her purse. The two deceivers have once again have proven themselves
in a world that survives on thievery and self-deceit. Their final hug of love
and her cry of delight, "Gaston!" are perhaps the film's only genuine
acts.
Los Angeles, New Year's Eve, 2011
Reprinted from World Cinema Review (January 2012).
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