by Douglas Messerli
Adam Sandler and others (screenplay), Dave
Wilson (director) Canteen Boy / 1994 [TV (SNL) episode]
I am well known to verbally strike out about our
society’s now long-time hysteria about all child-adult sexuality, and I have
often spoken out about the painful back-breaking bends theater and film has had
made to be politically correct. But surely even I, had I been in New York and
been able to contribute any comments about the planned February 12, 1994 skit,
might have wondered whether all involved had just gone mad.
Baldwin
has long been known as a risk-taker in his roles, and I have always longed to
drool upon the actor’s quite hairy chest, fully featured in this skit. But there
are and have always been normative limits, as much as I like to flaunt them.
Howard and I happened to be watching Saturday Night Live on
television that evening, and witnessed, accordingly, the original version, now
very difficult to find, although I did discover one isolate source.
In
sum, Canteen Boy—an already established SNL character—is “got a problematic situation
going on, as he is terrorized by a wooden owl they’ve put up presumably to keep
other creatures away. The other boys and their scoutmaster Mr. Armstrong (Baldwin),
have been telling the kind of tall-tales that is presumably at the heart of all
boy camping lore, whether the boys are in scouts or a church camp.
A
fellow scout (Chris Farley) is now ready, once Canteen Boy has returned to
their circle, to tell a very scary story. “Once upon a time there was a moron
who always had a canteen wrapped around his neck.”
Canteen Boy (Sandler) answers that he thinks he’s heard this story before.
Canteen
Boy’s response is that of a child: “You want to see something really scarry,
look in the mirror,” but he is quickly shut up by Farley’s bullying and the
laughs of the other boys.
The Scoutmaster demands that they lay off
Canteen Boy, ordering them to hike back to their tents to “hit the hay” demanding,
however, that Canteen Boy stay behind.
Armstrong observes that the pour scout gets
a lot of ribbing from the other boys, as Canteen Boy insists it comes with the
territory: “Sticks and stones….”
In the very next moment, the Scoutmaster
is praising the wonders of nature, puts his arm around the young scout and
moves in for a kiss on the cheek, as Sandler’s character grimaces in distress.
“Sorry, Canteen Boy, my beard is scratchy,
isn’t it?”
“No harm done,” answers the forbearing
idiot.
“My beard is scratchy, Canteen Boy, but it
gives good backrubs.”
A second later, the Scoutmaster has ripped
open his shirt, declaring his shirt fell off.
“That’s
a quick fix, Mr. Armstrong, just put it back on.”
Hugging him close again, he asks if
Canteen Boy likes wine, who insists that he prefers the purified water right
out of his canteen. But like an impatient seducer Armstrong off to get them a
little wine.
“All right, a little drop wouldn’t kill me,
I guess.”
Suddenly in his bathrobe, the Scoutmaster
is back with the wine, which, oh so surprisingly! He immediately spills on
Canteen Boy’s sleeping bag which he has swirled around him for further
protection.
“You’d better share mine. It’s extra
large.”
He agrees, until his own dries off.
Pulling open his bathrobe to again reveal
his chest, he asks Canteen boy to rub some bug repellent on his chest.
Canteen Boy, quite wisely, suggests that
since it’s February, all the bugs have gone done south to hibernate.
“Humor me, Canteen Boy.”
At that moment, on our late-night
televisions, we witness Sandler, somewhat resisting but nonetheless still
rubbing the sexy actor’s hairy chest, an idiotic grin on his face. Although
Sander since 2003 has been married and now has two daughters, given all the
suggestive gay roles he’s played, one can only suspect that perhaps he might
have somehow enjoyed the naughty cinematic task.
After further discussion, Armstrong suggests they just lie there at look
at the stars as he dives in for another kiss. An instant later the Scoutmaster
is sucking the scout’s fingers as he asks whether or not the scout knows how to
play “Truth or Dare,” that game that now seems to be de rigueur of all
gay encounters.
“Ah, refresh me.”
“You choose between telling a secret…or
doing a dare.”
Armstrong whispers his dare into the
scout’s ear, Sandler’s eyes growing wider every second. “You know what, Mr.
Armstrong, let’s start off with the truth.”
“You want truth, Canteen boy,” begins
Baldwin’s character as we see under the sleeping bag wiggling his body in the
removal of a recognized article of clothing. “You know what I hate underpants.”
“I think if you’re worried about bugs,
underpants would be your last line of defense.”
Pulling his shorts out from beneath the
bag, Armstrong announces, “Problem solved!”
As they both turn toward a sideways
position, Canteen Boy yells out, “What the hell is that?”
But we know that they’ve now gone about
as far as they can go with this truly daring cartoon as possible.
“I
don’t know, it must have been a bed bug.”
“Okay. It wasn’t a bed bug.”
“Let’s go back to saying it was a bed
bug.”
Fortunately for the skit, Mr. Armstrong
just as quickly falls to sleep on Canteen Boy’s shoulder, obviously having
consumed to much wine behind the scenes that, in the end, he’s not up to the
task.
So
it ends when the morning arrives and Canteen Boy is saved from sexual violation.
“No harm done,” proclaims the scout, as the Scoutmaster runs off to make them a
pile of breakfast.
As it was established in previous
episodes, Canteen Boy can summon up snakes, which does immediately, so that
when the Scoutmaster reappears, dozens of snakes descend upon the laughing
aggressor, shouting out “Canteen Boy, you rascal.”
It should come as no surprise that there
was immediate and immense negative reaction to the skit, many attacking the SNL
offering as being both homophobic and as trivializing pedophilia.
On December 1994, when Baldwin again
appeared on Saturday Night Live he half-apologized but pointed out that,
after all, both he and Sander were full adults—which of course anyone with even
a smidgeon of sexual smarts realizes is quite clearly beside the point since
Sandler was playing an idiot child scout and Baldwin the adult ready to take
advantage of the boy’s strange innocence.
Today, all but a few of the remaining
tapes and DVD’s are preceded by the absurd fiction the SNL company was forced
to tack on to the skit in both written form and narrative reading of the text:
“The following sketch, ‘Canteen Boy,’ is
based on actual events. It tells the story of Canteen Boy, a highly intelligent
27 year-old who still lives with his mother, and, who despite his age, remains
active in scouting. Certain elements of Canteen Boy’s story, such as his
ability to summon snakes, has been added for dramatic effect.”
If that ironic statement resolves any
problems you may have with this actually quite hilarious skit, I have a lovely
bridge to sell you at a very reasonable price.
Los
Angeles, August 23, 2024
Reprinted
from My Queer Cinema blog (August 2024).
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