misreading behavior
by Douglas Messerli
Richard Louprasong (screenwriter and
director) The Man Crush / 2016 [10 minutes]
Arriving at the party in a white round-necked shirt with a black bowler
hat—apparently a version of his everyday costume—Trevor’s greeted by his friend
and talks for a few moments, while the cinematic narrative retells the time of
their meeting and, with voice-over, describes how he imagines he’ll tell the
handsome Dave that he loves him from across the room. He comes back to reality
a few seconds later, drink in his hand still babbling over nothing to Dave, but
realizing this is the moment.
His friend first wants him to meet someone, and calls over—you guessed
it—a woman named Bradley (Briana Patnode), not only someone who Trevor has
never heard about but, so Dave tells him a few seconds later, his girlfriend.
A bit like an angry queen, Trevor comments on his girlfriend’s male
name, and demands that Dave give back the tickets to “Star Wars: The Musical”
which he has presented him as a gift. And with that, Trevor parades off in a
huff.
I suppose Louprasong intended his viewers to side with Trevor and to
sympathize with the fact that he claims he’s never seen Dave since, even though
Dave clearly saw him as a friend. Frankly, I might think that someone who’d
made the terrible mistake of misreading another’s behavior would be somewhat
embarrassed and settle, at least, for a friendship with the man he has doted on
for so long.
But Louprasong seems to feel Trevor is justified for his snippy fit and
even awards him a prize for having gone through such a disappointing moment in
his life. Sitting in the park Trevor is suddenly greeted by Luke—you know, the
man who spilled his drink over Trevor during his grand march away from the
truth he has just discovered. Luke suggests they get a drink together, and the
two merrily off, presumably the beginning of a new, truly gay, relationship.
Luke, alas, is not half as beautiful as Dave, but Trevor it doesn’t seem
to really matter. He has found someone who apparently likes him for the right
reasons, being a gay man.
If you enjoy trite stories consisting of offended queer stereotypes,
this is your film!
Los Angeles, August 30, 2022
Reprinted from World Cinema
Review (August 2022).
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