the postcard rings twice
by Douglas Messerli
Josh Kim (screenwriter and director) 엽서 (The Postcard) / 2007 [15 minutes]
Heterosexuals do indeed presume they rule the
world in this gentle comedy about a young male postcard writer (Suh Inwoo), who
regularly visits the local post office to mail out his cryptic open messages
about desire.
But we soon discover, as the postman (Simo) delivers the card back to the sender’s own mailbox, that the message was actually meant for the postman himself, who when he reads it, realizes it is an odd sort of love letter. A stamp collector, he awards the writer by enclosing a sealed stamp within the mailbox.
From the stamps that we see the boy has now collected, we perceive the passage of a couple of more days.
A
few days later he returns to the post office again with a package to Japan and
another postcard. This time, in the fight over who will get to serve him the
other Park girl wins, explaining to him that he will have to put his return
address on the international package, which he vaguely resists, but finally
does. After we leaves, the girls again check out the postcard, this time even
more intrigued when they discover that the card has been addressed to the very
address which the boy has put on the package as his own street, building, and
apartment number. He is mailing the postcards to himself!
Realizing that they have nice smiles and wear uniforms, the girls
presume the invitation has been sent to them, and the more recent recipient of
his package and postcard determines to meet up with the young man. Meanwhile,
the postman, delivering the mail, also reads the message and immediately begins
to climb the stairs to meet up with his secret admirer.
But when he reaches the hall, he discovers Miss Park standing at the
open door, the cute boy facing her, and presumes that perhaps all the messages
were for the two postal clerks, not for him.
That evening, the Postman seeks out a public sauna to soak out his
sorrows, wondering how he might fill the emptiness he now feels. Fortunately,
the young man—so South Korean director Josh Kim shows us—is on his way to the
same bath.
Los Angeles, February 26, 2023
Reprinted from World Cinema Review (February
2023).
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