sex and politics
by Douglas Messerli
Rodrigo Bellott and Marialy Rivas (screenplay,
based on a story by Pedro Lemebel), Marialy Rivas (director) Blokes (Blocks)
/ 2010 [15 minutes]
Both the characters of Marialy Rivas’ Blocks
and the director herself, in different ways, are brave souls: her characters,
living in Chile under the dictatorship of Augusto Pinochet in a world where
even expressing human love is a dangerous thing, and Rivas for daring in this
era of pedophilic panic to explore the subject of pre-adolescent homosexuality
and his love for an older boy.
The
boy Luchito (Alfonso David) is not only at the age where young boys begin to
wonder about sex, but is precociously aware of his own difference. Living in
the blocks of urban apartments, Luchito looks out every day across the way into
the window of a handsome 16-year-old Manuel Tapia (Pedro Campus), who sits on
his bed, half naked, a site of absolute delight to the younger boy as he
dresses for school. Luchito’s mother, a home-seamstress spends most of her day
gossiping with her customers about their neighbors’ problems, a young girl
becoming pregnant whose is having an affair with another girl, etc. She gives
no thought to her own son’s sexual problems; in her mind he is clearly too
young.
The
bus is crowded, and the older boy moves in behind him, leaning close against
his body, his crotch riding Luchito’s ass, for much of the ride Luchito in
suspended pleasure until the bus lurches forward, breaking the two apart, the
time having arrived for Luchito to get off.
That night, it’s even worse, as Manuel brings a girl into his room, the
two beginning to have intercourse with the light still on, Luchito watching
half in delight, half in disgust. As she goes down on him, head out of sight,
the boy begins to masturbate as he watches Manuel's expressions of pleasure.
But suddenly, standing up, his girlfriend switches off the light.
In
frustration yet again, Luchito pulls out a large flashlight, turning it toward
the dark window, spotting the now naked girl attempting to cover herself as she
refuses to remain in the room, her
The
next evening, Luchito is reading, and his mother demands he turn out the light.
At nearly the same moment, he notices the lights go on and off in Manuel’s
apartment. He sees Manuel at the window and the lights on and off repeating in
Manuel’s apartment. Without even thinking Luchito picks up his flashlight and
shines it upon Manuel’s body.
Taking of his shirt and pulling down his shorts, Manuel begins to
masturbate fully in the window, Luchito all eyes, as the older boy continues
through to ejaculation.
The
next morning, as his mother sews, he hears the latest gossip. Manuel has been
taken away by the police. “They say he was making signals, sending out
clandestine messages with a light.” We know in hindsight, that many taken away
in Pinochet’s era were never heard from again.
Luchito goes over the window to see that the apartment across is empty,
the place in chaos. Whether he feels guilty or not is not expressed on his
youthful face. If nothing else, however, he now knows that sex is not just
confusing but possibly deadly—as it is still in several countries around the
world.
Rivas’ film is one of the most remarkable of short cinematic works,
combining as it does, near complete innocence and the knowing mania of power
packed like a homemade bomb into a short cinematic work portraying how
childlike innocence can easily explode into adult horror and hate.
Los Angeles, May 30, 2023
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