the nicholas brothers, katherine dunham and company: the greatest dance
film
by Douglas Messerli
Frederick J.
Jackson and Ted Koehler (screenplay, based on a story by Jerry Horwin, and
adapted by H. S. Kraft and Seymour B. Robinson), Harold Arlen (music), Andrew L.
Stone (director) Stormy Weather /
1943
Soon the tuxedoed duo hoist themselves up upon a piano, looking perfectly at home there, before they tap up a double staircase, and, in a series of leapfrogs over one another that land them each time in perfect leg splits, they again reach the bottom, coming together only to tap up the staircase once more, this time taking a slide down to the floor. The audience can only be wowed, and wonder how their torsos have endured their acrobatic maneuvers.
Although Lena Horne's sultry rendition of
the song "Stormy Weather" is at the center of this film, Katherine
Dunham's dance with her company to the same song is worth viewing again and
again. The dance begins in a rainy street scene where couples soon begin to
jive; Dunham, however, seeming to be somewhere between a streetwalker and
sleepwalker conjures up a balletic version, wherein she is quickly joined, in
her dreamy imagination, by a whole company of men who lift the women in
rapturous grasps before laterally holding their partners and returning them to
the floor. The most notable aspect of this dance is the constant flow of the
wind machine, which makes the silky costumes seem to be in eternal motion,
which Dunham reflects time and again through the movement of her hands and
fingers.
There is something a bit ridiculous with
this, reminding one a little of the song "They're Doing Choreography"
in White Christmas, but Dunham
manages to take some Martha Graham-like gestures into the realm of sensuality.
Los Angeles, March 2, 2011
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