eleanor powell and fred astaire: got to dance
by Douglas Messerli
Jack McGowan
and Sid Silvers (screenplay, based on a story by Moss Hart, Harry W. Conn,
additional dialogue), Roy Del Ruth (director) Broadway Melody of 1936 / 1935
Leon Gordon and George Oppenheimer (screenplay, with uncredited writing by Walter DeLeon, Vincent Lawrence, Albert Mannheimer, Eddie Moran, Thomas Phipps, Sid Silvers, and Preston Sturges, based on a story by Jack McGowan and Dore Schary), Norman Taurog (director) Broadway Melody of 1940 / 1940
Watching Eleanor Powell's last number in her first starring film role, Broadway Melody of 1936, it is difficult to not be completely dazzled by her movements, while in the same instant perceiving those movements as somehow a bit clunky or, at least, executed with too much intention and force. It's partly her body—she appears taller and lankier than most dancers—and partly her costume, dressed as she is in long stripped satin pants and shirt with rhinestone coat whose tails come down seemingly lower than her knees, all topped with a rhinestone-covered hat. The Yankee Doddle Dandy look gives her a sense of being even taller than she probably was, which helps to make her hips even more central to her physique.
Fred Astaire perhaps said it best:
"She 'put 'em down like a man', no ricky-ticky-sissy stuff with Ellie. She
really knocked out a tap dance in a class by herself." There is something almost manly
about her technique, and that is perhaps what makes her taps seem, at times, so
emphatic.
Yet when she dances Cole Porter's
"Begin the Beguine" with Fred Astaire in Broadway Melody of 1940, we see another, slightly softer side of
her. This time dressed in a flowing thin white skirt and a halter trimmed with
spangles, Powell seems completely to move with the flow of the Latin rhythm
that is often used contrapuntally against the song's tune. Dancing across a
black marble floor against a black backspace upon which small pin lights
reflect what appear to be stars, Powell matches Astaire nearly perfectly step
by step with a grace that seemed to elude her in that earlier number. Together
they seem the perfect match.
Los Angeles, July 19, 2011
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