by Douglas Messerli
Daniela Ambrosoli (director) Papa & Dada
/ 2021 [documentary]
As the
official film website summarizes it: “At the end of the day, exactly the same
as that of the conventional family unit with father, mother, and child, they
eat together, go on family outings, and the fathers help their children brush
their teeth and tell them bedtime stories.
Homosexual men, however, are basically two methods of getting children.
As in Mimmo and Christian’s case, they can use surrogate mothers, with the
couple did, the surrogate mother Kelly Klassen sending them regular ultrasound
pictures or audio messages of the heartbeat of the unborn child. These two
fathers paced the floor during the actual birth that is similar to most
heterosexual expectant fathers.
Brian
and Ferd sought out internet tips and advice, but unlike the experience of
heterosexual couples, they found so little information that they created their
own platform in 2014 to provide gay men information, now one of the major
places for gay, bisexual, and transgender fathers to seek out necessary
information.
The noted
ballet dancer, John Lam, whom Ambrosoli also shows in short dance scenes and
his companion John Ruggieri discuss the tough challenges and joys in becoming
fathers. They were also a bit taken aback by the wide range of characteristics
you are allowed to choose from: “You can choose the level of IQ, for example—but
all we wanted was a happy, healthy child,” comments Ruggieri.
The
director also interviewed Argentinean choreographer Demis Volpi, who at the
time was working on a ballet piece based the children’s book, King & King, in which two princes fall
in love. He argues, however, that it’s not about homosexuality as much as it is
about universal love,
Director of the noted 2014 Swiss film The Circle—about the lives of the
early rights couple Ernst Ostertag and Röbi Rapp—Stefan Haupt observes, "The
traditional family image, consisting of man, woman, and child, is still very
much with us – but it is undergoing profound change."
My only
criticism of this fine documentary is that the chosen fathers, in this case,
were mostly well-to-do and able to afford the often very high costs of
surrogacy and even sometimes adoption. It might have been useful if we could
visit the same questions about men desiring children who lived more
middle-class and even working-class lives.
Los Angeles, February 1, 2025
Reprinted from My Queer Cinema blog (February 2025).
No comments:
Post a Comment