evidence
by Douglas Messerli
Jan Hartmann, Pavel Jurácek, Antonin Mása, and
Vladimir Goldman (screenplay, pasted on a story by Jan Drda), Jaromil Jireš (director) Stopy (Footprints) / 1961
Footprints
is a far more inexplicable tale than either of the two earlier short Jireš
films, and its narrative thrust seems quite inevitable.
A
small farm family, who illegally listen to international radio broadcasts each
evening, suddenly discover a young man knocking at their door. He is a wounded
Russian soldier, who is not only in danger from the Germans who are in search
for him, but is near death. The son and his mother carefully nurse the young
Russian back to health in their small barn.
What
none of these family members know is that the man for who they are caring has
left his footprints in the snow leading up to their homestead. Moreover, a
begrudging neighbor appears to be following the footsteps’ path to his
neighbor’s door, followed by another German soldier, noting his findings in a
small black book.
The result of these events seem to suggest the inevitable—the arrestment
of both this family and the man they are nursing back to life. But strangely,
we are never quite certain of what actually happens.
Oddly enough, the IMDb film site, briefly describes the plot in the
following manner:
A Russian prisoner escapes from the Germans, finding shelter with
a Czech farmer and his family. A neighbor betrays them and is sentenced
by the villagers.
We
can only imagine that their neighbor’s betrayal resulted in the arrestment of
everyone on the farm. But then why is the German soldier stalking the same
territory with complete attention to all of the details?
There are no answers to the truth in this film. But, at least, if the IMDb
site knows something other than what were visually perceive, it may be evidence
that the Czech citizens of this small village have surreptitiously taken back
some of their rights, as even the naked evidence has come into doubt.
Reprinted from World Cinema Review (July 2020).
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