by Douglas Messerli
Brian Bolster (screenwriter and director) One Year Lease / 2014
[11 minutes]
Most tenants might simply go
crazy, but as a student in the film program of New York University’s Tisch
School of the Arts, Bolster knew just what to do, creating a strange kind of
documentary wherein Rita speaks mostly for herself as she begins with a simple
offer to feed their cat, Casper (she’s a cat lady), and quickly begins to
transgress on their privacy with an offer to take over any unwanted pots and
pans in their kitchen, a paper shredder—if they should happen to want to give one
away—and almost anything else they might wish to abandon.
Rita is ready to call the plumber, but Brian doesn’t want people in the apartment when they’re not there, to which Rita expresses her surprise. Another telephone call from Rita announces that the plumber Jimmy is on his way.
The next time things have
escalated to anger. She has possession of five pieces of male from Thomas and
wants it immediately picked up. Somebody, she declares, snuck back into the
apartment, refusing to open the door. “She wasn’t born yesterday,” and realizes
that something is amiss. All she wants to do is to leave the mail, so she
declares, in their apartment with whoever is feeding the cat.
It’s now escalated, she
insisting she has nothing against the cat, “That’s why I prefer cats over
people. Casper is innocent.”
The next morning at 7:00
am, she wants the boys to take a look out their window to see how someone evidently
messed up her garbage bags. Brian and Tom are busy packing.
Her next call to Thomas
requests that he come upstairs to knock on her door.
She’s now calling almost madly about the fact that they have not replied to her messages. She’s now begging them, after they leave the party, to come upstairs and knock of her door. The calls now are coming late at night, early on mornings. Please let her know when they return.
Rita finally wonders when they’re
returning to she won’t get scared. “You can call late. I stay up late.” We see
a now empty apartment, and though we realize her total madness, we become also
sad for her, a lonely and clueless woman who had perhaps thought that in her
two new gay tenants she had found the perfect pair to care for her, to share
her interests, and participate in her life.
In the last scenes we see
Brian and Tom in their very lovely and quiet new apartment, wherein Casper contentedly
sits licking his paws. The final call is from Rita’s lawyer who insists that
they are permitted to use their security deposit as the last month’s rent, that
in fact they sued the previous tenants and won when they attempted to do the
same thing. It’s clear that Rita is having difficulty keeping tenants.
Los Angeles, June 19, 2024
Reprinted from My Queer Cinema blog (June 2024).
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