Tuesday, July 16, 2024

Tom Palazzolo | Gay for a Day / 1976

fruit loops

by Douglas Messerli

 

Tom Palazzolo (director) Gay for a Day / 1976 [11 minutes]

 

Shot a year before Arthur J. Bressan’s far superior celebration of Gay Pride Day in several US cities, Gay USA, Tom Palazzolo’s 1976 documentary Gay for a Day is a rather desultory and amateurish view of the Chicago Gay Pride Day, which IMDb mistakenly identifies as taking place in San Francisco.

      The film was shot along the parade route on Halsted Avenue, with far less elaborate floats and costumes than we have seen since, including in the Bressan multi-city celebration of the following year.

      

     Basically, Palazzolo just points and shoots, sometimes catching gay men in drag simply being confused about where they are to enter the parade. But at other times he catches bits and pieces of funny conversations such as a man in drag announcing himself as married to his gay friend and as having gotten her entire set of clothes for only $5.00—the one presumed as impossible, the second as only somewhat improbable. At another point a young man hides behind what appears is his straight girlfriend, fearing evidently being seen at such an event; at one moment we can hear her mentioning his parents—presumably people who would not approve.

       In another scene two gay men are busy sewing on the crown of a friend who appears as a Medieval King. Two effeminate blacks praise gay life while lounging across the top of a car, insisting that it should be celebrated across the US and all over the world.


      A couple of cute boys dressed in outlandish 70s attire sit on the back of a Cadillac eating Fruit Loops. A pair of straights express their feelings that they think the parade is beautiful for permitting them to watch people stand up for human rights, “whether they be black or gay, yellow, or crippled—whatever,” certainly not quite the precise sentiments we might express today, but truly well meant. “They are just as deserving for their civil rights as any other group,” the male concludes.

      A few gawkers appear appalled at what they are witnessing and someone eventually throws an egg at Palazzolo while he shoots one of the Pride floats. Soon after, his lens glimpses a man wearing a T-shirt declaring “White Power,” with a Nazi insignia in between the words; but since the man appears to be black, we have to presume it’s a statement of sarcasm.

      Finally, it’s clear just from the title the director gives the film, “gay for a day,” that not everyone has yet fully assimilated the lessons of Stonewall, just six years earlier. These individuals, it suggests, are not all yet fully out of the closet, openly celebrating their gayness just for a day.

      Any such documentary filmmaking, however, is crucial if we are to understand our full history as LGBTQ+ beings.

 

Los Angeles, November 16, 2023

Reprinted from World Cinema Review (November 2023).

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