catching up
by Douglas Messerli
Frances Goodrich and Albert Hackett
(screenplay), W. S. Van Dyke (director) The
Thin Man / 1934
Except for the inventor’s daughter, and her mild-mannered lover, almost
all of the suspects are a brutal bunch, so it hardly matters when Nick actually
solves the crime by perceiving that the body they have discovered is actually
the inventor who has been killed by one of his associates. The crime, as Alfred
Hitchcock would have described it, is merely the MacGuffin, the device which
keeps the action moving. What is truly important about Van Dyke’s version of Dashiell
Hammett’s work, is the relationship between Nick and Nora, a kind of
wise-cracking child’s play. Since his wife has all the money, Nick hardly needs
to work and prefers it that way, perfectly happy spend his days in an eternal
martini hour and to play with the toys Nora was bought him and the dog. And
even though it’s dreadfully warm in this New York apartment, Nora is perfectly
happy to stay draped in the new mink coat Nick and bought her. It’s the perfect
relationship, she slightly mocking him just as he does her as they continue
down the path of a completely blasé acceptance of their married state.
Their married state, in fact, is now
California, and there is something almost mythologically fulfilling in the
couple’s return east for the Christmas Holiday, whereby solving the outrageous
mystery, they allow Dorothy Wynant (Maureen O’Sullivan) to marry her lover and
travel back West with them to a world that obviously represented, in 1934, the
year this film was made, as a new golden world unencumbered with the nefarious
relationships of New York City. I can see the Charles’ now, on their pool-side
terrace, serving platters of fresh martinis to the beautifully tanned friends
so unlike the blubbering and slightly confused Damyon Runyon-like chaps sitting
in Nick and Nora’s cramped New York digs. Finally Nora can just sit back and
relax without the need to “catch up” with her husband’s alcoholic consumption
and crime-book hunches!
Los Angeles, April 26, 2014
Reprinted from International Cinema Review (April 2014).
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