city of cats
by Douglas Messerli
Ceyda Torun (director) Kedi (Cat) / 2016, USA 2017
On the surface, the Turkish documentary Kedi (Cat), is a pretty film for cat fanciers. Focusing on 7 cats of the
millions of feral cats roaming Istanbul’s streets (the filmmakers began with
40, cutting down 20 before picking out the 7 they show here), director Ceyda
Torun and her cinematographer husband, Charlie Wuppermann follow these 7 as
they make their way through that great city’s streets.
One dines on left-over cutups of fish parts—that is until the gulls
chase him away. Another dock-side dweller is an excellent mouser, who sees to
his own survival. But most are willing to be fed by the city-dwellers they
individually seek out.
One waiter loads up sacks of leftover food which he feeds to legions of
cats as we wanders up and down a neighborhood. The fishmonger ignores his
neighborhood cat’s occasional robbery of his sardines. One cat appears at the
window each day of an apartment dweller, seeming to rap upon the glass to be
let in and be fed, which the tenant encourages, willingly inviting the cat in
and feeding her a bowl of milk and kibble, before she returns back to the
street. Another cat wanders from vendor to vendor, bringing her various “gifts”
back to her litter of new kittens hidden away in a drawer of an automobile
shop.
And, as Torun’s camera suddenly soars up, looking down these same busy
streets, we are told by one cat lover that there used to be more parks and open
spaces where the cats could congregate, implying that not only the cats, but
the humans, as well, are losing their fresh-air spots.
By the end of Kedi we realize
that these and the thousands of other felines who choose individuals to help
them survive, provide more to their human protectors than their chosen sponsors
give to their lives. If nothing else, they provide objects which proclaim human
love and caring.
Bilge Ebiri, an LA Weekly critic
well-acquainted with Istanbul, claims that, at one time, the city also had
thousands of wild dogs, who suddenly all disappeared—obviously killed off by
these same loving beings or by the authorities due to the possible dangers of
the wolf-like wildness of their packs. Feral cats can be mean, but they do not
generally roam in gangs. Their own singularity of living conditions and
behaviors perhaps most clearly mirrors the growing isolation and loneliness of
the citizens of this vast metropolis as it transforms itself into a huge
fortress the likes of Dubai, at which time the city will no longer belong to
the cats, nor to their human friends.
Los Angeles, February 20, 2017
Reprinted from World Cinema Review (February 2017).
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