by Douglas Messerli
Thanasis Tsimpinis (screenwriter and director) Fawns
/ 2014 [3 minutes]
This would-be metaphoric fable seems to me somewhat
confused since it is about the possible love of two handsome gay men (Orestis
Karydas and Aleksis Fousekis, presumably the fawns in an afternoon forest), who
in their human representation are sitting next to each other in a self-service
laundromat.
The
story, or metaphor we are told, concerns the fact that mother deer often leave
their fawns alone for long periods of time since they permeate an odor that
might lead other wild beasts to attack them. Their scentless fawn, however,
instinctually lie close to the ground, appearing to humans in their refusal to
react as if they are hurt. But actually they are being watched from a distance
by their mother who, if anyone might try to harm them, would return to protect
them.
Presumably, the message is that if you love someone, you need also to leave them alone from time to time to keep them out of harm’s way.
The story is juxtaposed with these two
human fawns presumably enjoying sex, and then just as suddenly one of them disappearing,
the other left alone one presumes for his own protection?
But
does that suggest that one of these men plays the role of the mother to the other?
What does a mother leaving her “fawns” alone have to do with the fact that two
gay men are evidently having difficulty with their relationship? Is one of them
attempting to be too protective? Or is his love simply dangerous to the other?
In
other words, as profound as this very short fable tries to be, the analogies
just don’t match for me, and frankly make it difficult to discern what might be
the film’s message. Pretty boys, and nice black-and-white images, but
narratively confused, I’d argue.
Los Angeles, October 11, 2024
Reprinted from My Queer Cinema blog (October 2024).
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