by Douglas
Messerli
Deven Green (screenwriter and director) Beware
Homosexuals / 2015 [6.30
minutes]
Canadian comedian Deven Green
created a fascinating parody of Boys Beware in 2015. In this work, Green
does not focus on the would-be molester as much as she does on the boy,
performing a ridiculously queer reading of his body language so that we see not
just the original Ralph, but the boy Jimmy as the dangerous homosexuals, with
all their actions representing a coded gay language.
Green changes the central figure’s name
to Officer Dick, while the boy becomes Scout. Dick begins the story as an
undercover cop looking for homosexuals, but he gradually is converted by the
boy into a homosexual through his association with their “hot, sweaty
athletics.”
Since Green supplies a running commentary of the coding, it would be
nearly impossible in a short essay to comment on the entire film of 6 ½
minutes, so I will simply try to convey a sense of Green’s parodistic work.
Here, for example, is the text to the initial hitchhiking and pick-up scene:
“This is officer Dick he is going
undercover in broad daylight to find homosxuals. From a distance they blend in but up close
there are finger codes to attract other homosxuals in a row. Hand pocketing is code for fondles.
This is Scout, he will know he is gay
if his thumb enlarges. Yes it has paid off – he has just won a car.
Their ilk break many laws: side sitting
and over smiling. Officer Dick, undercover homosxual reciprocates with hand in
air code meaning 'we be parking.'
The affirmative back touch is an
agreement of future meetings. Dick playing the role of a homosxual driver
insists the thumber clean his particulars before moving forward.
Scout has now scrubbed his business
section and his thoughts are on tossing.
Dick, the driver is pleased that protocols are being followed yet
reappears as the passenger to indicate that he is flexible in either
position. Scout enters and sits where
another man's posterior has been. Very homosxual.”
On the famed fishing episode of the original, when the narrator reveals
that the boy can’t remember when he had so much fun, Devon’s commentary turns
every moment into a salacious statement:
Waiting...affirmative...yes. The two are locked in a symbiotic
relationship anxious to try each other’s 'pout.' Regardless, a North East wind
always tightens a trouser.
And the final scene, as they move on into the hotel room is read by
Green as a silly queer scholar as:
“After all the mating and courting
rituals it is time to put out—in a motel room with half hour rates. Whoopussy…Dick’s undercover was blown when
Scout found Dick’s shield.
Scout was given a stern warning and now must live with his parents in
their economy basement.”
The later episodes are nearly as clever, particularly the scenes where
the young boys gather near a men’s room on the beach.
“Public restrooms are a nesting
ground for training and drills and undercover Dick has a handful of semen to
prove it. Which will Dick chase down to make his own deposit? Well, homosxuals
always curve… to the left.
Dicks now needs it multiple times a day – like VITamins – so he made a
rabbit proof fence to snare his little bunnies. The bunny poses with a come
hither look before being sand blasted. Dick appeared to have a heavy load so
Buck enlisted friends for satisfaction and completion.”
Instead of running away to join his friends when he sees the man
following him as in the original version, this boy, according to Green’s
reading, runs off the bring back his other friends to share in a threesome.
Green
finishes her comic piece by reminding us that “Homosxuals are a crafty breed
found in every parking lot across the Americas. Beware – there may be one right
behind you at this very moment.”
By reinterpreting the entire piece as a gay saga, Green defangs the ugly
message of the 1955 and later versions of this short film.
Los Angeles, January 1, 2024
Reprinted from My Queer Cinema blog
(January 2024)
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