the well-known chemistry of opposites
by Douglas Messerli
Kaylynn Barley and Sahra Bhimji (screenplay),
Sahra Bhimji (director) Chemistry / 2022 [11 minutes]
Waleed (Christopher Batres) is what you might
describe as a shirker student, the kind who, without paying attention to
anything his chemistry teacher is saying, allows his cellphone to ring the very
moment his black-board buried prof recognizes that he speaking to a class of
students by asking a question. All Waleed can seem to notice is another boy,
Liam (Garrett Hannigan) staring at him in disbelief.
In
the very next frame, we see Liam asleep in the library, being told it has just
closed. The presumption is that he has been working so long and hard that he
has finally fallen asleep.
But in the very next frame, in full daylight, Liam leaves the library
where, once more in runs into Waleed, who claims to have just gotten out of
another class. I’d suggest that director Bhimji has a problem with continuity
here (no college library that I know of closes in the middle of the day—although
it may be that Diablo Valley College is the kind of commuter school where
everyone leaves campus by 5:00) and, perhaps, equally has a problem with a rather
unbelievable situation where the two boys meet up again. Even Liam wonders
whether Waleed might be stalking him.
We
do know, however, that Liam has been working in the library since he has just
submitted his assignment on line. Even Waleed is a bit wowed, complementing his
peer by suggesting that he’s “really awesome, and…very studious, and will
probably be transferring to someplace like Berkeley or Harvard.” Liam
interrupts, “Stanford.” But still the shirker asks him out to dinner.
We
watch the two leave the restaurant, obviously thoroughly enjoying one another’s
company and coming together in a manner that we suspect is sexual as well. But
Liam asks if Waleed has actually submitted the assignment, since it is now due
in an hour.
“Such
a downer dude, we were having so much fun,” is Waleed’s response. Liam’s
response makes it clear that the two have, in fact, quickly become more than
buddies as he take’s Waleed’s hand and suggests maybe he can come over and help
him out.
Waleed, however suggests Liam’s place since his will be messy, but Liam
counters that he doesn’t mind messy. the two moving in for a kiss.
But almost immediately, Liam backs off. “Actually, that’s not going to
work.” As he drops Waleed’s hand, the boy wonders if he had done something
wrong, offering him to give a drive home, Liam responding that his car is close
by. We are as confused at what is now transpiring as is Waleed, Liam thanking
him for dinner and rushing off.
A moment later, however, all is made clear as we see Liam drive to an
isolated spot, and paste up pieces of cardboard on his car windows. Obviously
he is one of those students hardly able to afford paying for his education,
living out of his van.
Liam undresses, cleans his face and mouth with
tissues, and finally down to sleep, the sounds of sirens, walking feet,
arguments etc. filling the night. If you’ve ever slept in a car or in an
apartment near an open window in a highly urban neighborhood, you know the
sounds.
But then there is a tapping on the car window itself, something truly
frightening to the boy.
Waleed
obeys, but explains that he will call him when he reaches his own auto.
“Why
are you here?” Liam angrily asks.
“Why
are you hiding in your car?”
“Why
do you think?” Waleed, as we’ve noted, is no deep thinker.
“Oh
shit, I just realized. Are you sleeping in your car?”
The question would be funny if the truth behind it wasn’t so very sad.
“It’s
just temporary, okay. I’m just between places.”
“…I’m
so sorry. I’m an idiot. I thought you were hiding from me.”
Liam
assures him he’s fine, but begs him not to tell anyone, the dilemma all such
students surely face, yet something that is nearly impossible to fully hide.
Waleed
admits that he has also lied when he has told Laim that he has his own place. “I
live with my parents, Liam responding that he had figured that out, but that “sounds
kind of nice.” After a long pause, he adds, “Mine are asses.” We can only
wonder, did Liam parents disown for being gay?
Waleed, always the comic, continues, “And my grandparents, and my three
sisters…and two cats, which I’m allergic to.”
Liam laughs. “Okay, maybe not so nice then.”
Waleed adds that his family is super conservative. “I don’t know how I’m
ever going to come out to them.” After a long pause, he adds, “Unless like we
get married!”
“We’d probably have to elope or something.” After another pause, Liam
asks, “So, what? Is it past your curfew?”
“Oh, way past my curfew.”
Liam suggests that there’s still 22 minutes left until the assignment is
due. On the phone, he explains how to open the assignment to begin the work.
But we suspect that eventually he might invite the terribly tardy son into van
to share his bed for the night.
For once, both young men—the shirker and the far too serious-minded
student, a comic and a young man living a drama he shouldn’t have to face—might
come together to share a few joyful sexual moments in the night. That’s the
well-known chemistry of opposites.
Los Angeles, December 3, 2023
Reprinted from My Queer Cinema blog
(December 2023).
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