the thief who got away
by Douglas Messerli
Gardner Hunting (screenplay, based on a story
by Gelett Burgess and Carolyn Wells), Donald Crisp (director) The Countess
Charming / 1917 || lost film
Brought from its success on stage to film,
Julian Eltinge’s The Countess Charming is now lost. The story, once
again, is a kind of farce involving a complex series of characters and
accidental interrelationships revolving around Eltinge’s female persona.
Incensed by the societal snubs—a situation in which Eltinge’s male figures often find themselves—he decides to get even by disguising himself as a Russian Countess, who, of course, decides that she must visit the club to be formally wined and dined. Now as a celebrity figure, the Countess is invited into the homes of the rich and famous, wherein Jordan as the Countess steals valuables and donates them to the Red Cross Fund.
The series of thefts alarms the community, and a detective (William
Elmer) is hired. He soon begins to suspect the Countess, but just as he closes
in, an announcement is made that the Countess herself has been a victim of an
assault and is lying on her death bed.
Betty, concerned for the Countess, calls upon her, only to discover in
her bed the man she loves, Stanley Jordan.
Long before the Hays Code, Hollywood films had to also deal with the
censors. In this case the Chicago censor board demanded cuts showing the theft
of a pin from a tie and of a purse, and a removal of a wallet from a purse, all
of which must have confused the movie audience as to what The Countess was
doing that put her into such jeopardy.
Los Angeles, January 20, 2022
Reprinted from World Cinema Review (January
2022).
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