by Douglas Messerli
Daniel Guarda (screenwriter and director) Naquele Dia Escuro (That Dark Day) / 2022 [29 minutes]
At the beginning of Brazilian director’s Daniel Guarda highly moving
short drama, That Dark Day, presents a day on which it seems the world
might end. Jair Bolsonaro is in power in Brazil and Trump in the White House
when on that day in 2019 when a city councilor Victor is taken away by car in São
Paulo and presumably shot, at 3:00 the sky dark because of a meteorological
phenomena and smoke from forest fires along the Amazon highway.
The movie then shifts to the aftermath
focusing on a young trans man, Fabio (Miguel Filpi) who works as a caregiver,
now focusing on an elderly woman near death, Louise (Isabelle Lenoble). Gently
he daily cares for her as he silently grieves the end of his own relationship
with, we later discover was the gay man Victor e Felipe (Athos Souza), the same
one who has been taken away to be shot by Brazilian rightist vigilantes.
sorrows and joys of her quickly disappearing life.
Fabio, in turn, begins to tell
her of his own life, how we was adopted by a loving couple but who left him
alone much of the time, while he, himself, feeling that he was a boy trapped in
a young girl’s body with no one to talk to about it, and those days, not
computer to rush to in order see if others felt as you did.
A gay parade parade finally
awoke him to his identity, as he suddenly determined to go through the process
of transforming himself and his body into the handsome young hirsute man he is
today.
In the background of their
gentle and loving conversations is a society that is increasingly hostile to sexual,
political, and cultural differences (much like in the US), where transgender
children like he has been must now for years before getting medical help because
of governmental cuts to such programs. Victor had clearly been working for
further LGBTQ+ representation in a society made of cis gender heterosexuals who
have no patience for their voices in society, ideas parroted by a taxi driver in
a car in which Fabio is riding to work.
The picture ends, inevitably,
with a call from Louise’s daughter Claire to tell him that her mother has died,
and in the last scene we see that Fabio has now inherited Louise’s dog.
That Dark Day is not
only a lovely movie about two desperately lonely souls coming together to heal
and comfort one another, but as the director himself describes it, “talks about
social control and repression, gender censorship, and sexual orientation
reinforced by power structures (and their consequences)….The short also
reinforces discussions on discrimination, moral judgment, and psychological
violence caused by heteronormativity which, in turn, suggests and elaborates
behavioral patterns within social structures. That Dark Day entertains
while speaking about cultural habits, deconstructs taboos and prejudice, and
connects the viewer to different realities in divergent fields.
This truly melancholy and
lovely movie won the “Silver Rabbit” award as the Audience’s Choice for the
Best Brazilian Short Film Festival of Diversity Culture in 2022.
Los Angeles, December 8, 2024
Reprinted from My Queer Cinema blog (December 2024).
No comments:
Post a Comment