Charles Martin | My Dear Secretary / 1948

spaghetti and meatballs

by Douglas Messerli

 

Charles Martin (writer and director) My Dear Secretary / 1948

 

This pleasant comedy has a predictable plot: playboy novelist Owen Waterbury (Kirk Douglas) is less interested in writing than in living the life of a noted writer—consuming women and money as an alcoholic does whiskey. As the story begins, in fact, he has just broken up with his former "secretary," and is in search of a shapely replacement. Speaking before an adult creative writing class, Waterbury meets Stephanie 'Steve' Gaylord (Laraine Day), suggesting that she apply for the job; once he perceives her assets, she is quickly hired. She determines to leave her current job working for bookstore owner Rudy Vallee in search of independent study, but quickly discovers, to her dismay, that Waterbury prefers doing almost anything but practicing his "art." His literary inspirations come and go within minutes.

     Between rejecting his advances and her attempts to reform him, Gaylord pens her own best seller, outdoing her former employer. He has no choice, since she has hooked him as well, but to marry her and reform. End of story? Fortunately not.      

    While these two carry out their timid romance, a whole cast of character actors rush in to make this film a comic delight. Most notable among them, is a sort of live-in butler-friend, Ronnie Hastings (Keenan Wynn). Writer and director Martins is quite obviously unsure of how to define his relationship to Waterbury; is he a kind of sardonic sponge, taking advantage of an old friendship or a sort of would-be lover, cooking, ironing, and housekeeping for his bachelor partner?* It hardly matters, for he is a failure at whatever he attempts except for the constant campy humor he dishes up to nearly everyone he meets, particularly the outrageous landlady, Horrible Hannah Reeve (played with perfection by Florence Bates). Instead of paying the rent, Waterbury awards her with Hasting's barbs:

 

                              Mrs. Reeves: I guess I'll run along.

                              Ronnie Hastings: Must you go? I was just poisoning the tea.

 

    The marvelous Irene Ryan plays Mary, a singing, tattle-tailing cleaning woman with permanent nasal drip; and gay actor Grady Sutton perfectly captures his role as soap-opera writing mamma's boy for whom “Steve” goes to work when her relationship with Waterbury fails, she matching his relationship with Ronnie by establishing her own association to a queer figure.

 

    Taxi-drivers, bookies, ex-lovers, a wannabe actress, and a detective run in and out of the Waterbury apartment to bring further comic mayhem into this pallid romance.

     None of this makes sense except as a kind of desperate attempt to keep the implausible relationship of the two leads from view. And it almost works. The director himself seems to be of two minds, bouncing his gifted cast back and forth between a slightly moronic romance or a series of comic riffs. Wynn's character is fortunately there to point out the inevitable choice:

 

                               Ronnie Hastings: Is it informal, or shall I bathe?

 

Or, as he later describes the role the aspiring actress, Dawn O'Malley, would play, based on Waterbury's non-existent book: "You have to be insincere and be a moron."

     Better that direction than taking the pious Gaylord and her marriage to Waterbury seriously. Or, for that matter even her own literary success. Fortunately, the comedy boils over the soggy romance:

 

                              Ronnie Hastings: I made a wedding breakfast...spaghetti and

                                                          meatballs.

 

Los Angeles, June 11, 2012

Reprinted from International Cinema Review (June 2012).

 

*The fact that Waterbury's romantic interest has a male nick-name, Steve, and a last name that suggests quite the opposite of a heterosexual relationship, Gaylord, further spices the pot