by Douglas Messerli
Marcel Perez (screenwriter and director) La
signorina Robinet / 1912
Marcel Perez (screenwriter and director) Chickens
in Turkey / 1919
Given the fact that
Marcel Perez acted in and/or directed more than 200 films, several of which
have been lost or we have left only in fragmentary form, the film I describe
below probably represents others of interest to the LGBT community as well. In
an even earlier 1912 film, La signorina Robinet, one of his Robinet
characters dresses as his lover’s female friend in order escape her jealous
husband and ends up attracting a rather large male following on his way home.
By the time of Chickens in Turkey
(1919), Twede-Dan, as he’s now called*, has decamped to foreign shores where,
apparently, he has turned into a beach bum alcoholic, where we are told “Twede
rocks himself to dreamland with a few bottles of high alcohol percentage hair
restorer, shoe polish, etc, etc., etc....” While previously popular with all,
he is now shunned, popular as “poison ivy.”
A bit like Flo, Dan imagines a trio of
“chickens” dancing in a ring around him before they sit on the sand to
playfully tease one another. But they just as suddenly also disappear into thin
air.
Finally, he spots the swimming beauties
of The Flying Skirt and paddles out to get a closer look, with his eye
particularly attuned to a woman the intertitles describe as Dorothy (apparently
played by Dorothy Earle, Perez’ real wife). But evidently Flo is also attracted
to him, so to hide him the girls dress him up, as intertitles put it “like an
ad in a magazine,” presumably, given the remainder of the story, as a female
model.
The movie picks up in the harem of Hassan
Ramleh Murad (Pierre Collose) to whom the new catch of women are presented. In
further missing footage he eyes them each carefully, all of the younger girls,
Flo, and then Twede-Dan, inspecting them for their beauty. After bartering for
a bit, he finally selects Twede, who shows her delight as she is directed to
the sultan’s personal couch.
In the time being, Dorothy has been
discovered, but dressed as a man she is sentenced to death and thrown into a
cell.
What follows is a rather charming, if
somewhat awkward version of what the intertitles describe as the “Turkish
Tremble” combined with a Fox Trot, Twede evidently charming the sultan enough
that he rises to join the dancer in what quickly becomes a kind of broad mimic
of the kicks and sways of any Broadway theater dance number, as the sultan and
Twede spin round and about each other, running toward and away from what is
surely meant to become a deep embrace.
Simultaneously, we observe the actions of
Dorothy after the others have been captured. Dressing up as a sailor she
arrives at the sultan’s palace making her way past the guard into the confines
of his compound only to be caught by one of the sultan’s personal guards.
In anger and frustration, Twede throws off
his wig, the entire harem rushing him when they recognize that he, in fact, is
a handsome young man.
The sultan returns, Twede suddenly again
donning his wig and hat, but seeing the entire harem gathered round his new
bride the sultan is intrigued how this woman is able to bring his harem to ruin
in only a few moments. Knocking out the sultan, Twede commands all the women to
redress since they are returning to the yacht, while he goes on the prowl to
free Dorothy.
Just as suddenly, the women disappear as
Twede, dressed up in the sultan’s costume escapes the compound chased down the
beach by the sultan himself and one of his guards, who come close to capturing
him again—except at that very moment the drunken Twede-Dan wakes up on the
beach where is has fallen asleep, very much alone, with three crabs pinching
his pant-leg.
But what a dream! Not only did his
fantasies take him into a world surrounded by women, but he had himself become
a popular figure of the same sex. Obviously, this version of the Tweddles
character discovers his sexual pleasures on both sides of the bed.
*See my earlier essay on
Marcel Perez as Tweedledum in two films from 1916 on my World Cinema Review site.
Perez played numerous figures in different languages beginning with the Robinet
character named above, followed by Bundles before he became Tweddledum,
Tweddles, Tweedy, and Twede Dan, as he was named in this film. Some attribute
Perez’ inability to develop a reputation the equal of Chaplin, Keaton, and
other comedic figures of the day to the fact that he played so many various
characters in several languages.
Los Angeles, August 5,
2021
Reprinted from World
Cinema Review (August 2021).
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