by Douglas Messerli
Asher Jelinsky (screenwriter, based on a story by
Jelinksy and Taylor Townsend, and director) Miller & Son / 2019 [21 minutes]
One of the most assured and understated of transexual films ever made, US director Asher Jelinsky’s 2019 film features a young boy working every day with his father as a mechanic. He’s a wizard regarding everything about cars. In his hands destitute old autos turn into wonderfully beautiful machines again, cars that won’t start, reignite like magic given his skills. His father (Ryan Cutrona) is close to him, in fact quite dependent on his son for his business. Even when his father’s computer acts up, Ryan (Jesse James Keitel) easily solves the problem.
Ryan
scurries back to his car, reappearing as the handsome young man he appears to
be each day in his father’s garage. But this time, it’s different. Travis
clearly is ready to share his homophobic outrage with Ryan’s father, and
finally after a long day in which Ryan brings several cars back into service,
he does so.
After a
long pause and a lot of internet research, his father finally is able to return
a quiet message of acceptance as his own return, “I’ll see you tomorrow,” the
camera panning back to show the name of the company in which he works: “Miller
& Son.”
Their
worlds may be absolutely opposed, but their dependence upon each other and
their deep love rules the cruel world of bigots. In this case if you have to
ask what’s in a name, it is everything.
This lovely
short film, was the winner of several awards and a popular film in gay film
circuit.
Los Angeles, March 20, 2025 | Reprinted from My Queer Cinema
Blog (March 2025).
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