different, but the same
by Douglas Messerli
John Butler (screenwriter and director) Handsome
Devil / 2016
In Ned’s sense
of imprisonment, particularly when forced to room with a new student, Conor
(Nicholas Galitzine), the “handsome devil” of the title who is also a rugby
star, the film also calls up Simon Shore’s teen gay love film, Get Real.
Like the hero of that film, Ned also gradually becomes a friend of the
jock, particularly when, as in Get Real, Ned discovers that Conor
is also gay. But even though the two are roommates, these 16-year-olds do not
have sex. Moreover, unlike the totally self-loathing sprinter, John Dixon,
Conor is fairly comfortable with his own sexuality—if only everybody else
weren’t so terrified of that possibility, particularly his teammates, specifically
the always taunting Weasel (Ruairi O’Connor) and, even worse, the single-minded
rugby coach (Moe Dunford), both determined to win games at all costs.
In a single
night, after celebrating another rugby win, Conor discovers that the school’s
new, and increasingly popular English teacher (Andrew Scott) is gay, after he
runs into him in a nearby village gay bar, and Ned discovers that his roommate
is gay when he accidentally observes him entering that same bar.
Ned stupidly
confesses to the school administrator—however, not about his own sexuality but
about Conor’s being gay. When in horror, Conor bolts, (he’s already been kicked
out of another school for fighting those who taunted him) threatening the rugby
heart of Wood Hall.
Ashamed for his
behavior, which may also actually result in his expulsion, Ned determines where
Conor has gone and brings him back, thus allowing the team to win the game, and
a way to show all his fellow classmates and staff that you can be a great
team-player and gay at the same time.
We know
this kind of bullying still exists, but there is something, nonetheless, retarder
about the way this film resolves the problem, particularly in its
preachment of the obvious clichés to its inevitable gay-based audience.
Moreover,
although Scott appears in this film to be a far better English teacher than was
Robin Williams’ character in Peter Wier’s Dead Poets Society—a
nearly insufferable over-zealous, do-gooder English teacher—there is some of
the same piousness in this new film that we encounter over and over again in
the media: “things do get better,” “If you don’t be yourselves, who will be?,”
etc.
Handsome
Devil is a lovely, feel-good film, but my only wish is that it was
simply more honest. There will always be people in this world who detest other
people for loving someone of the same sex or hating those who are unsure of
their own sexual identity. That hasn’t changed over time, despite all the major
shifts in society. In some ways, in fact, it’s gotten worse: the haters
encouraged by politicians like Trump and Pence to keep gays, lesbians,
bisexuals, and transgender individuals out of schools, jobs, and housing. And
winning a rugby game will never be enough to win the hearts of those who so
hate. We can only hope that one day, people will come to recognize that those
who are different are also the same.
Los Angeles, October 29, 2017
Reprinted from World Cinema Review (October 2017).
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