out of class
by
Douglas Messerli
Dylan
S. Baker (screenwriter and director) Eric & Oliver / 2023 [14 minutes]
The
subject and location of Dylan S. Baker’s Eric & Oliver might now
almost be said to being close to becoming a new genre wherein an unconfident,
hard-working boy meets up in the university library or elsewhere on campus with
a slightly better-looking, self-assured, and far more relaxed boy and falls in
love. There are, obviously, slight variations such as in British director Jacob
Kernis’ Who You Wanted All the Time (2024) in which three boys
are involved, or as in Brian Rowe’s Lonesome Bridge (2005), where the
second boy is not at all willing to go along with roommate’s crush on him,
particularly since he’s straight. In each case, nonetheless, two opposites
attract and form bonds from which they further learn about one another. If only
Nick and Charlie were a couple of years older, one could argue that even the
popular series Heartstoppers, since in the final season Nick is heading
off to University, might be said almost to fall into the backpack of this
recent genre.
The family-oriented, hard-working
introvert in the case of Baker’s short film is Eric (Alexander Espinoza-Luna)
who is having difficult with his new Law class assignment. While working in the
library with his best female friend, Jade (Olivia Byrne), Eric looks up to see
another boy who is in his class enter and hunker down in a study carrell.
When Eric actually does as he as
half-promised Jade and makes the other boy’s acquaintance, the magic begins as
Oliver invites him to work together on their papers. Both quickly discover they
are gay, and the seemingly self-assured Oliver admits that he has been through
great difficulties with his family while Eric makes it clear that his mother
and he are close.
They boys quickly fall in love and do most
of the things young gay students do together on their university campus—you
know, take long walks, smile at one another throughout their classroom lessons,
share a campus hammock, throw popcorn at one another in the library, and walk
across the outer ledges of campus buildings.
Eric supports him and even makes a
commitment to be there for his new friend every step of the way. How he can
promise without even a so much on little more than a wink and a touch is not
explained, but it’s surely a sign that these two boys are seriously in love,
and to prove it they hug, Oliver insisting on showing Eric his favorite campus spot,
a sort of religious plaza upon which a giant sculpture of Christ officiates
(the film was shot at LaSalle College in Pennsylvania). For Oliver, he likes it
because it’s not a highly trafficked spot, and it brought him peace, he
recalls, in his freshman year.
Together they look at the stars, and
finally, Eric admits that he “thinks he likes Oliver” (which evidently means
that he loves him), Oliver sharing the same feelings which finally allows them
to kiss under the statue of Jesus.
If only writer/director Baker could now explain to us, please, what they doing on a college campus other than sharing
their personal feelings and fears. If it sounds like I am making fun of these
kinds of films, well I am in part. I also met my life-time companion on a
university campus, and I’m sure we did a lot of silly things; I’m certain we
shared our worries, and talked about our families; but we actually
participated, once in a while, in discussions of about music, film, politics,
theater, and general ideas, even sharing what we were learning in our classes. Given
their banal behavior and clichéd conversations, these boys might as well be
back in high school.
Los
Angeles, August 21, 2025
Reprinted
from My Queer Cinema blog (August 2025).




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