Wednesday, December 24, 2025

Frank Mosvold | Hjem til jul (Home for Christmas) / 2000

a real christmas

by Douglas Messerli

 

Gerd Brantenberg and Frank Mosvold (screenplay), Frank Mosvold (director) Hjem til jul (Home for Christmas) / 2000 [4 minutes]

 

I always suspected that underneath the rather sad façade of films in which, usually, young boys cannot come to terms with their sexuality in time to enjoy their love, there was a truly comic imp just waiting to escape.

    In director Frank Mosvold’s 4-minute satire of the many “coming home for Christmas” gay films, many of them after the date of this satire, featuring a returned son or relative ready to reveal to the family his or her closeted sexuality, he has finally let out a hoot for our holiday pleasure.


    Annie (Ingrid J. Norby) is determined to tell her family this Christmas, and at the beginning of the film is seen laid out on a bed dreaming how things might play out.

    She meets her mother (Brit Elisabeth Haagensli) in the kitchen where she is busy stuffing the holding turkey. Annie quite suddenly reports: “I have something to tell you,” those first words that always reveal a long-held secret, usually about sexuality, is about to be freed into the world.

    The friendly mother responds that of course her daughter can tell her anything.

    Almost immediately Annie breathes out a sigh and utters the words “I’m gay.”


    If for a second it might seem that the mother is a bit concerned, her words quickly reveal that she has been hoping for this moment her entire life, and she couldn’t be more delighted to have a lesbian daughter.

     Annie’s sister Bente (Tuva Hølmebakk) soon after enters with her husband Ragnar (Bjørnar Teigen), the mother announcing the news upon her entry that Annie is a homosexual. The sister is also delighted, proclaiming that she has always wished she were one.



    Ragnar pipes up, “What about me?”

   Bente admits that without him she wouldn’t have “our little dumpling,” a reference presumably to their young son Ole.

   Annie turns over in bed where she has been sleeping, the dream continuing with her father (Per Christian Ellefsen) announcing to all how proud their grandfather and Mimmi would have been “had they lived to see a lesbian in their family.”

     “A toast to lesbianism,” he declares, lifting his wine glass, “A toast to the future.”

     “Long live lesbians,” continues Ragnar; “In China,” adds his wife.

     The mother caps it all with her blessing to “think kindly of all the lesbians in the world.”

     Annie is awakened from her lovely dream with the chime of a doorbell. It is her lover (Urmila Berg-Domaas), who quickly asks if she’s told her family yet, Annie admitting that she’s scared. So too is her girlfriend afraid to tell her family, but they know they must.


 


     From the other room we see the family, hand in hand, singing as they dance slowly round the tree: “Silent Night, Lesbian Night.”

     The closing frames feature the words: “Gled noen deen Julien” (“Surprise someone this Christmas”), —fortell dem du er lesbisk (“Tell them you are a lesbian.”)

      Today, we have an entire history of Christmas specials featuring gay men and women, but what is amazing about this charming short film in 2000 is that most of the films we are talking about were released from the years 2015-2022 (The Happiest Season, Under the Christmas Tree, and The Holiday Club being examples with lesbian romances). Mosvold was way ahead of the curve in this memorable comic Christmas movie—although it might have been influenced a little by Jodie Foster’s 1995 film, Home for the Holidays, in which Claudia’s gay brother Tommy delivers her a boyfriend, Leo, on their return home for Thanksgiving.

 

Los Angeles, December 24, 2025

Reprinted from My Queer Cinema blog (December 2025).

     

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