the travails of a toy boy
by Douglas Messerli
David Ozanich (screenplay, based on a novel by
Robert Rodi), George Bamber (director) Kept Boy / 2017
What’s a good-looking boy who dropped out of Bard the moment he met
Farleigh to do without any degree—a requirement in this fantasy view of Los
Angeles to even get a job as a dogsitter. He consults his best friends, Lonnie
(John-Michael Carlton) living with a wealthy older woman and Paulette (Toni
Romano) who is the mistress of a married retiring politician, but they have no
suggestions, although he provides Paulette with some sage advice about what to
tell her aging daddy.
Dennis imagines that he might get a job as a travel agent, not a very
good possibility given that those jobs have been primarily replaced by
computers. He even tries to borrow money from their chef Javi (Diosiq Burné),
only to discover that he was once Farleigh’s boyfriend, given the job of chef
as a consolation prize when Farleigh met Dennis.
Javi suggests that he show some interest in Farleigh, watch a taping of
his designer reality show that, if nothing else, he might ask, once in a while,
about his lover’s well-being. In fact, the major problem throughout this
somewhat empty-headed but pretty-bodied soap opera is that no one seems to
bother to talk to one another. The idea that Dennis might have lived for years
in the same house with Javi and not know of his previous “position” is
difficult to imagine.
Obviously, Dennis is on the way out! He asks Lonnie to pretend to be a
pizza boy who demonstrates an inordinate amount of sexual interest in him, just
to make Farleigh realize he’s still got his good looks, despite the crow’s feet
around his eyes. But it doesn’t seem to work, as Lonnie is sent naked out of
the house. Each day it seems clearer that Fairleigh has designs of his new
interior design partner.
And
it as this point that the film really seems to lose any of the satirical charm
it might have exuded, as the plot gets bogged down in a series of incredible
coincidences that begins with Jasper following them down to South America,
supposedly to visit his rich uncle. It turns out that the uncle does, in fact,
exist and that he is a noted artist about whom Dennis is oddly knowledgeable.
Jasper and his uncle, for no reason it appears but to create another melodramatic
flourish, have a difficult relationship which ends with the man turning his
bodyguards and their guns upon his guests.
In
any event, all turns out for the better—at least so it seems. Dennis realizes
that what he’d really like to do is go back to college and get a B.A. in Art
History, which he imagines—quite mistakenly I must point out—will allow to
lecture on the subject to college students. He’s going to need far more than
the $200,000 that Fairleigh left him (the man truly was deeply in debt), a
couple of more degrees, and a lot of good luck to get a job like the one he wants.
He
hands over the deed to Fairleigh’s house to Javi, who after all, has a history
with Farleigh “family” and the house.
And
Dennis takes away the door-prize, the truly well-educated cutie, Jasper, who
probably will have to support him until he gets his PhD. Maybe then, with any
luck, Dennis can find a job as a waiter, but alas, by that time he’ll be too
old for the job. As we learn, being a “toy,” in the end, isn’t always fun.
Los Angeles, March 21, 2023
Reprinted from World Cinema Review (March
2023).




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