Tuesday, September 9, 2025

Christopher Manning | Jamie / 2016

jamie’s kiss

by Douglas Messerli

 

Christopher Manning (screenwriter and director) Jamie / 2016 [9 minutes]

 

British director Christopher Manning’s Jamie of 2016 is a truly simple film with rather deep feeling. The 19- or 20-year-old Jaime (Sebastian Christophers), still living at home, is sexually out—at least to his father—but living in the London suburbs or even a bit further away, hasn’t yet had many gay sexual experiences.

     As the film begins his younger brother (Sam Atkinson) is apparently celebrating a birthday, but Jaimie stands away from the group seated around a table fiddling with his cellphone, his father (Paul Clerkin) finally telling him to put the phone away and visit with the guests. For a few moments he returns, greeting his brother, but soon after he is standing apart working on his cellphone once again.   

     Obviously he is making a date, clearly one of his first, to meet up with someone since in the next frame we see him on the train or tram into the city. There finally, a bit late, Ben (Raphael Verrion ) arrives at the predetermined spot and the two begin to chat, Jaimie even showing appreciation for Ben’s having shown up since his previous “date” never appeared.

      Ben seems to have gone along with the meeting more because he didn’t have something else on his schedule than for any deep interest in the younger man. He describes his own reluctance to turn the internet chat into a real date, a feeling Jaimie shares and is happy to hear that others feel similarly


     Yet most of their talk is centered around questions that Ben asks about Jaimie. Is he out to his family? Who was his first love? etc. Certainly not deep or probing questions. But Jamie seems happy just to have another gay man to talk to and readily explains that although his father knows, he has asked him not to tell his younger brother, yet another way of forcing his son to remain in a sort of closet.

       His first love, a fellow school mate, John, was a footballer with whom one night as they strolled off the smoke, he suddenly began to exchange kisses. Fellow classmates, however, were standing behind a nearby gate, saw what happened, and began the catcalls, the kind of reaction that would usually end in ostracization and bullying. The two boys seldom spoke to one another ever again.

       There is nothing special in Jaimie’s confessions, but they speak of typical experiences for young homosexuals and lesbians living away from the life of the central city. And they convey a deep sense of loneliness and self-isolation. He has confessed early that he doesn’t go to the bars.

        Hardly has he begun to talk, when Ben readies to move on, Jaimie putting his telephone number into his friend’s phone without being offered the other. And Ben expresses the usual brush-off “See you around.” Suddenly Jaimie leans forward and kisses Ben on the lips. And then Ben leaves.

       The denouement of this short, moving piece is the fact that a moment later Jamie breaks down into tears before we see him on the train again, returning to his family flat, and in a subtle stage direction, opening a door, perhaps to his bedroom, and closing it as he remains where he is, in the dark of the hall.

       Surely he liked the casual manner of Ben, the fact that his internet photo looked very much like his date actually did. And he might have imagined joining him for sex and simply more conversation.

       He is left, however, the emptiness of the very space in which he stands at the end of this small gem.

       As one responder to the open notes at the end of this film commented, “Being gay isn’t easy.”

He might have added, “Even in 2016.”

       It is important to remind heterosexuals that as recent as a 2021 a poll among individuals in 27 countries found that 80% of people worldwide identified as heterosexual, 3% as homosexual, 4% as bisexual, and 1% each as pansexual, asexual, and other. I have to presume that the other 10% refused to answer. Ignoring the restrictions of appearance, personality, or just population displacement (most gays live in urban areas), imagine that out of every 100 people you met in your life, only 7 or 8 individuals might be interested in even thinking about gay sexual contact, let alone any serious interchange. If you live in the suburbs or rural areas and don’t visit gay bars your chances of encountering another gay man is even slimmer. And we’re not even talking about differences in age or gender or the circumstances being allowable for the possibility of any communication about sexuality. Then imagine someone who is still somewhat closeted or shy or uneasy about talking about his or her sexuality. It is truly amazing that there are any LGBTQ relationships.

 

Los Angeles, July 14, 2022

Reprinted from World Cinema Review (July 2022).

 

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