in
heaven
by Douglas Messerli
Reinhold Schünzel and Alfred Schirokauer (screenplay, based on
the play Der Doppelmensch by Wilhelm Jacoby and Arthur Lippschitz),
Alfred Schirokauer (director) Der Himmel auf Erden (Heaven on Earth)
/ 1927 [Difficult to obtain]
Although Alfred
Schirokauer’s Heaven on Earth is apparently still available, and was
recently restored and shown for competition in the Berlin Film Festival Teddy
Awards, this 97-minute silent film has not quickly made its way to the US; at
least I was unable to find a copy to view.
The story however is fairly transparent. Petty politician Traugott Bellmann (played by the co-writer Schünzel) is a strong critic of the moral decline of society in general, and, in particular, the local notorious nightclub “Heaven on Earth.” On the day in which the film takes place, which happens also to be his wedding day, he is appointed the president of the Moral Decency League.
The same day he receives an inheritance from his deceased stepbrother, along with the very nightclub which he has taken on as the representation of societal evil. Not only does he now own the club but is promised a sizeable sum of money if he spends every night from 10:00 to 3:00 a.m. in the morning in his newly acquired “den of iniquity.”
Despite the film’s representation of the
art deco designed club filled with the kind of faces that populate the art of
the Weimar painters such as George Groz and Max Beckmann, the members of the
club are apparently mostly heterosexual and the club’s activities are
relatively innocent compared with the legendary general Weimar Berlin
goings-on.
The film’s LGBTQ credentials are
centered primarily around Bellmann’s attempt to escape being seen in the club.
To succeed he is forced—somewhat like the politician in Édouard Molinaro’s La
Cage aux Folles (1978)—to dress in drag, during which he is continually
propositioned by his lascivious father-in-law who is also the head of a major
liquor distillery. One commentator describes Schünzel as “a chic female
impersonator” in a film that functions as “a jazz age gender bend.”
The film’s actors, other than Schünzel,
include Charlotte Ander, Adele Sandrock, and Otto Wallburg.
Los Angeles, September
9, 2021
Reprinted from World
Cinema Review (September 2021).
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