return to truth
by Douglas Messerli
Luca Bertossi (screenplay, with revisions by
Lorenzo Di Lello, supervised by Emiliano Grisostolo) Luca Bertossi (director) Bittersweet
Rainbow – Homecoming / 2021 [24 minutes]
At the beginning of Italian director Luca
Bertossi’s short film Bittersweet Rainbow Claudio (Leonardo de Simone)
returns at age 24 to his small Italian village after 7 years absence with the
realization that everything changes, particularly people.
Actually, he is talking more about himself than the others he finds
still living in his isolated homeland, his mother (Sara Alzetta)—who has
recently suffered her husband’s death—and his friend Sara (Elisbetta Cancelli),
who bemoans the fact that nearly all of her own friends have left and never
returned even for a visit.
She
asks Claudio why he left, but he doesn’t openly respond, simply saying “I
forget.”
But
as he re-wanders the lanes and streets of his childhood, we soon learn of his
sexual relations with Nicolò (Michele Masci), a truly beautiful young man who
is desperately in love with Claudio and wants to share the fact with the world.
The only problem, the major problem, is that Claudio is terrified of people,
particularly, his mother discovering the fact that he is gay, and refuses to
even discuss the inevitable, which Nicolò describes, “It cannot stay a secret
forever. Sooner or later, someone will discover it.”
Yet we quickly realize, Claudio is a coward and refuses to even
seriously discuss coming out. The two argue on a drive back from a party during
a rainy night, ending in an automobile accident which kills Nicolò. His guilt
and his continued cowardice has clearly driven Claudio off.
But now, back to face the memories, he spends a tear-filled night
recalling the events, returning in the morning to tell his mother the truth, to
finally admit his hidden sexuality after all these years.
This might almost appear to be an inane story, but Bertossi’s
beautifully shot scenes, his evocation of the farmland and home in which
Claudio grew up, and the simply beauty of the two central actors of this film
turn it into something very special. Little things in this film come to be
of great significance: his mother getting up
early to make his waffles which as a child he loved, but which he now no longer
eats; a quiet moment after he and has mother have reunited in which she
suddenly breaks down in tears both for the joy of his return and the
remembrance of his having left without explanation. It is indeed “sentimental,”
but in a manner that is so honest and tender that one doesn’t mind having one’s
heart tugged, realizing once more the dilemmas of so many young men and women
who find it difficult to deal with the reality of their differences, often
ending, unfortunately, in tragic results.
Los Angeles, February 1, 2023 | Reprinted from World Cinema Review (February 2023).


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