by Douglas Messerli
Unknown screenwriter and director (based on the
musical with book by Otto Harbach and music and lyrics Julian Eltinge and Percy
Wenrich) The Crinoline Girl / 1914 [Lost film]
This short silent film, starring the renowned female
impersonator Julian Eltinge, was made and released soon after the New York
stage play finished its 96 performances, and represents evidently his first
appearance on film.
Unlike
the coarse drag performances of early film such as Gilbert Saroni and even some
of Fatty Arbuckle’s and Charles Chaplin’s earliest appearances in female attire,
performances which had made their way to film from burlesque and vaudeville,
Eltinge apparently looked back to the far more realist and graceful drag
portrayals of the minstrel cake-walk dancers I recounted above in the 1903 film
Le
Cake-Walk au Nouveau Cirque, filmed by Louis Lumière. There are recountings of Eltinge having
studied cake-walk dancing at Mrs. Wyman’s dance studio in Boston.
So convincing were Eltinge’s performances
that men were some of his most ardent admirers, both straight and gay, and the
actor was quickly dubbed “Mr. Lillian Russell” and described by Chicago Tribune drama critic Percy Hammond
as “ambisextrous.” Yet Eltinge fought hard against being characterized as a
homosexual, and would often threaten violent action against those who described
him as being gay; he regularly posed for boxing pictures and promoted himself
as a horse back rider, as well as titillating his audiences with countless rumors
of marriage. He never married, and there is plenty of evidence to suggest that
Eltinge was, in fact, a gay man; certainly, Milton Berle and others who worked
with him believed he was.
In that work, so one plot summary tells us:
“Tom Hale wants to marry Dorothy Ainsley, but her father Richard Ainsley does
not want to allow it. Although Tom is from a wealthy family, Richard challenges
Tom to show that he can earn $10,000 of his own money. Only then will Richard
approve of the marriage. Tom decides he can do this by collecting the reward
that Richard is offering for a diamond recently stolen from his family. The
thieves are operating from the Hotel de Beau Rivage in Lausanne, Switzerland,
where the Ainsleys are also staying. Tom tracks down the gang's female
accomplice, the titular Crinoline Girl, and subdues her. He then puts on
women's clothes to disguise himself as the Crinoline Girl and capture the
thieves. Tom's success facilitates not only his own romance with Dorothy, but
also the romance of his sister Alice Hale with Dorothy's cousin Jerry Ainsley.”
The role
of Tom Hale was played, quite obviously, by Eltinge, although we have no record
of who the other film actors were. Presumably, given the short time this film
appeared after its Broadway run it must have included some if not all of his
original theater cast, which included Jeanne Eagles, Herbert McKenzie, Joseph
S. Marba, Nannie Palmer, Charles P. Morrison, Edward Garvie, Jane Marbury,
James C. Spottswood, Walter Horton, Corrinne Barker, and Edward Cushman. Perhaps the film was also directed by the original stage director, John Emerson.
The
original dramatic script also appears to have been partially lost, but is apparently
being restored by George Contini. The pictures above are from the stage
version, not the film.
Los Angeles, September 1, 2024
Reprinted from My Queer Cinema blog (September 2024).
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