Sunday, May 17, 2026

Katy Dore | Odd Bird / 2019

the land of duck hunts and turkey shoots

by Douglas Messerli

 

Katy Dore (screenwriter and director) Odd Bird / 2019 / [9 minutes]

 

You have to love Katy Dore’s film Odd Bird if for nothing else but its totally unbelievable audacity.

     Clark (Michael Varde), a gay boy with a lover at home, has descended by into his conservative ranch family home to retrieve a childhood manuscript in which he artfully depicted himself as a comic book-like figure named “odd bird.” Based evidently on his current drawings, a major company is interested in possibly publishing it.

     The second reason, and perhaps even more important for the handsome young boy, is that he is determined to tell his tough country mother and her boyfriend, Gunner (Jacob Peacock) whose incessant slaps have tortured Clark through his youth, that he is gay.

      It seems like a very dangerous proposition, particularly when, even near to his mother’s ranch, he is stopped by local good-ole-boys and checked out even before he reaches the vicinity of his own former home.

      They let him pass, but his call back to his boyfriend is almost desperate. Can’t he just turn around now and head back home? His boyfriend (the voice of Brennan Murray) reminds him of the deadline of the possible comic book publishers.


      He knocks on the door, as both the seemingly rough Gunnar and his tooth-shy mother come out to greet him on the porch, have been warned that he had something important to share with them. As is the wont of movie-created gay boys admitting their sexuality, he stutters and stammers, but finally openly admits to his being gay. His mother, momentarily, is angry. She spits out her worry that she was afraid that he had cancer or had lost his university scholarship. But the anger quickly converts into laughter from both her and Gunnar as she reveals that she’s known her son was gay since he was three-years-old. As for that lipstick he put on his mouth as a child, it wasn’t even hers, and she sent packing was so that we would never again touch his son.

    Clark grabs the manuscript and rushes back to home, phoning his lover on the way to suggest he come for a visit, where they might experience a duck hunt or a turkey shoot.


      So Dore declares, everything is just fine in the good ole USA when it comes to nervous gay boys. They most certainly can go home again.

      I don’t believe her. And, despite my strong dislike of stereotypes, why would any sane gay boy want to pick up a gun, go into a “hide,” and shoot down a lovely duck? Or want even to join in a turkey shoot? This is a fantasy to make you believe that we’re all just a grand loving community, which in the days of Trump, particularly, can be described as just plain hoodwinking. Any place in which, while driving down a road I might stopped and challenged on my way home is not somewhere I would want to be. The “oddbird” will surely be accidently shot in the next Turkey roundup.

 

Los Angeles, May 16, 2026

Reprinted from My Queer Cinema blog (May 2026).

 

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