hot bodies in white and green light
by Douglas Messerli
Alex Matraxia (screenwriter and director) Dream
Factory / 2023 [7 minutes]
British director Alex Matraxia’s very short work Deam Factory, which I saw the other day in the 2024 New York NewFest describes itself as an experimental film, but actually except for a few jump cuts, some repeated narrative elements, a moment presented almost in stop-time photography, and a few frames of gender confusion, there is not truly anything radically disjunctive, and its “exploration” of the erotics of cinema-going seems to be boiled down to three locations in the rather dowdy movie house: a young teen, a would-be Marlboro man (since when is possible or even desirable to smoke in a movie theater?) and another young man who sits beside him in the theater arena itself, a cowboy and a tough who meet up at the theater bathroom, and a blonde in drag who enters the arena before also appearing on the screen for an instant, potentially linking the act of theater going and experience of cinema itself.
The
teens rub their hands against one another and eventually turn to kiss. The
cowboy watches the other tough piss before they join each other in a toilet
stall. And the blonde in drag fixes her hair, strolls down the green-lit hall,
enters the theater proper and shines brightly for an instant in the white light
of the cinema projector itself.
Matraxia’s film at moments is moody and visually beautiful, stirring up
some mild sense, as Brian Fanelli wrote in Overlook, of “violent and erotic undertone[s].” But I
certainly can’t agree with this critic’s conclusions:
“Dream Factory says a lot without its characters speaking. This
is one experimental short that highlights the historical importance movie
theaters played as cruising sites. There’s no straightforward narrative here.
Instead, the visuals, including the constant shot of film reels, do the
talking.”
For me,
this short tries far too hard to do far too little. If one really wants to
explore the erotics of gay theater, I’d suggest a trip back to early porn films
such as Jack Deveau’s 1978 A Night at the Adonis or even Filipino director
Mark V. Reyes 2005 short, Last Full Show.
Los Angeles, October 17, 2024
Reprinted from My Queer Cinema blog (October 2024).
No comments:
Post a Comment