by
Douglas Messerli
Ludvig
Christian Næsted Poulsen (screenwriter and director) Drømmedreng (A
Boy’s Dream) / 2023 [30 minutes]
Elias
(Lasse Steen) has long been studying psychology, while his lover Christian
(Christoffer Rønje) apparently is a wealthy business man, who is often away of
business trips. Together the two, in an open relationship, have been living a
kind of dream life, with the resources to travel, buy expensive clothing, and
designer furniture. They also appear to be very much in love.
Elias is beginning a new job as
psychologist at a student boarding school for abused and displaced children.
Don’t expect too much warns the school’s head, Sanne (Anne Louise Hassing),
these children have been so abused that many of them are what she suggests
almost unsalvable; power is the major word among the teachers in the school.
Meanwhile, Elias and William quickly forge a wonderful relationship as
the elder shows him how to alter the swing to the height which the boy desires,
and offers him a belt to help hold up his pants. Later, he takes the boy on a
day-trip to the harbor, where they both agree that they prefer the forest with
its tree-tops to the harbor. You can immediately sense William as both a total
innocent but an intelligent kid still seeking out the world around him. Power
his no issue here.
A few
days later, after William asks to see where his new friend lives, Elias takes
William on a visit of his own home, the child observing the beauty of his new
friend’s world. And gradually, Elias realizes what he has been missing most in
his life of luxury with Christian, a child whom he might love and nourish and
offer a different life.
He
unsuccessfully tries to convince Christian to co-adopt the boy, but his lover
is against the whole idea, prizing the freedom of anything that might hold him
down. Christian moves into a hotel, whole Elias proceeds with the adoption.
Danish director and writer Ludvig Christian
Næsted Poulsen has created a quite simple but emotionally deep film in A Boy’s
Dream, where
we see Elias gradually choosing to give up everything he values in his gay
life-style, as he begins to realize what is most missing from his own world.
And I
might add that the message here is not at all simply a positive one, but is
filled with temptations and other fears as well since previously Elias has
brought home a seventeen-year-old boy named Carl, whom Christian fucked; the
age of sexual consent in Denmark, incidentally, is 15.
But we
are assured that Elias intends to bring up this boy with a parentally caring
love that will give him the possibilities William has never before imagined,
even at the cost of Elias’ previously ideal gay life, even though the details
of how he might do that as a single-parent are never quite established.
Los Angeles, June 14, 2025
Reprinted from My Gay Cinema blog (June 2025).



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