fathers
by
Douglas Messerli
Lonelyleap
Production Company The Redwood-O’Hare Family / 2015 [2.41 minutes] [commerical advertisement]
Later
in 2015, Tylenol created two rather straight ads, one about a Nigerian
immigrant family, the Ekeh’s, whose son has been offered admission by some of
the best of US universities and colleges. This was directed by Adam Hootnick.
Another ad, The Vincent Family, of
August 28, 2015, describes how a young boy’s father was killed in a car accident
and then her sister died, forcing to realize at a young age that she needed to
adopt their son. Again, Tylenol features a different kind of family to help
sell its product.
But perhaps the most interesting to gay
viewers was The Redwood-O’Hare Family, a mixed-race gay couple
who have adopted a boy.
But the moment Declan was put into his
arms, he tears up telling it, he was my son. And realized I didn’t need to seek
anyone’s permission to fall in love or raise a son. “I don’t need to ask
permission to have a family. I have a family.”
They
show the couple walking their son up to a curtain, which when it drops, reveals
a full shelf filled with photographs of the boy, who seems quite delighted, as
if even that young he knows he is now home, part of the family. “Nobody has got
a lock on the definition of a family.” “We’re the Redwood-O’Hare’s, and this is
how we family,” speaks a voice as Tylenol finally presents their closing logo.
Los
Angeles, July 8, 2026
Reprinted
from My Queer Cinema blog (July 2026).


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