the pink queers of the amazon
by Douglas Messerli
George Pedrosa (screenwriter and director) Casa
de Bonecas (Dollhouse) / 2023 [16 minutes]
The three sloppy, piggish, heavily tatted boys of
the Amazon who inhabit this celebration of polyromanticism—like the long ago
but still delightful ode to the gay land of no inhibitions sung by the
wonderful Kay Thompson in Funny Girl (1957)—“Think Pink”: with pink cellphones, cameras, drinks, the hair on
their heads, the stockings (with shades of carmine, the sheets in purple) in
which they lace up their legs when moving into drag mode, their fingernails and
underwear, and even a laser light one of them willingly swallows as they enter
into a lusty threesome animal-like orgy.
Luty Barteix, Chico Gonçalves, and João
Vinicius descend, however, not so much into their sexual organs as they do a gloppy,
sloppy, gooey mess of liquid like purple emotions, replete with Halloween
costumes in which they haunt one another and flaunt their S&M sexuality to
the mentality of their own created machinery, while spewing up a
yellowish-green drug-induced spittle.
I
suppose Brazilian director George Pedrosa, recognizing that Brazil has become
one of the last bastillions of gay outré filmmaking thought perhaps that his movie
would be a turn on for young men tired of the flesh, but I doubt it succeeded
in seducing anyone to its mesmerizing visuals other than the terribly, terribly
bored.
This is
a dollhouse you most definitely don’t want to get locked up in. Even Nora might
not have escaped its necessary adulation to its long-haired satanic Dionysus.
Los Angeles, December 23, 2024
Reprinted from My Queer Cinema blog (December 2024).
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