looking at the stars
by
Douglas Messerli
Carlos
Castro (screenwriter and director) Acá Arriba (Up Here) /
2025 [19 minutes]
Young
Venecio (Suan Lugo) is from a home that, although both his mother and father
have stayed together, has long been a broken family, the boy always seeking for
the shining eyes of his father which his grandmother insists her own mother
long ago fell in love with. He can see no glow in his own father’s eyes, and
clearly little love.
Venecio has recently broken up with his
boyfriend, apparently also without the beautiful eyes he has been seeking, and
is not exploring meetup dates in the bathroom of a local bar with basically
thugs, who force him to suck them off before turning him around and fucking him
in the bathroom stall.
Back
in the bar, Venecio sits drinking hardly daring to stare around the almost
empty space. But suddenly one young handsome man appears, encouraging him to
play a game of pool. Although he recognizes the regular customer Venecio, the
boy, who he claims never turned before even turned around to observe his glance.
Venecio, pretending to not know the least about pool demands he teach him out
to play, insisting that if he should miraculously win the game he has to buy
his drinks, of which there are multiple, including a bottle of what appears to
be gin.
Actually, he’s quite a capable player, and
soon his new acquaintance X (Brian Sosa) suggests they stop playing the game,
and join him, certainly better than the bathroom fare he’s been meeting up
with, just to be a friend for the night.
X (for Xavier we soon find out), takes him
to the top of a building where his father and friends used to escape to from
their families. There, under the stars, Venecio reveals his life to his new acquaintance,
and is also stunned by all the stars in the sky which he as so long ignored in
his attempts just to move forward day by day.
X is somewhat of a beautiful dreamer, while
recognizing that sex is one of the great pleasures of life, suggesting that the
stars are far more important and significant in their meaning, reminding him
that some of them might be larger than the sun.
The two young men find joy in each other,
falling flat on the backs face to face in what we are sure will end up as a
sexual moment. But when Venecio suggests that X might kiss him and moves in to
make the kiss himself, X argues that he promised just to be a friend for this
night, not a lover.
We
realize this is not a sudden homophobic move, but simply a gesture of true
caring from him regarding the young Venecio who has so long been abused in love-making.
A bit hurt, Venecio, sits up and drinks
from his bottle of gin, and we are at first fearful that he might bolt. But he
asks a far more important question which shows that perhaps he has learned
something on this special night “up here,” closer to the stars than the
underworld in which he has spent his entire life: “Could you be my friend for
more than one night?”
This Puerto Rican film by Carlos Castro is
a truly moving and lovely movie about gay men, which takes it someone out the
normal sexual route and takes us into another world of male gay relationships,
that echoes, in part, Oscar Wilde’s famous witticism from his play, Lady
Windermere’s Fan: “We may all be in the gutter, but some of us are looking
at the stars.”
Los
Angeles, October 18, 2026
Reprinted
from My Queer Cinema blog (October 2026).


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